Jacob Banks, born 1991, is a British singer and songwriter from Birmingham. Jacob became the first unsigned act to ever appear on BBC Radio 1 Live Lounge. His music is influenced by a range of genres including soul, R&B and hip hop. Banks is currently signed with American label Interscope Records. In October 2012 he recorded his debut EP titled The Monologue which was released in January 2013. In April 2013, Jacob played his first headline show at the London St Pancras Old Church. Banks features on Chase and Status’ “Alive” from their album, Brand New Machine. He also supported them, on their 2013 UK tour. Jacob also worked with artists such as Chase & Status, Bondax, Jake Gosling, Knox Brown, Plan B and Wretch 32. On 21 July 2015, Banks’ second extended play entitled The Paradox was released. It features a guest appearance from Odd Child Recordings rapper Avelino on the track “Monster”. In 2016, he was featured on Norwegian production team Seeb release “What Do You Love”. The song reached number 2 on VG-lista, the official Norwegian singles chart. On 9 March 2017, Banks premiered his two-part narrative video, written and co-directed by himself, for his single, “Unholy War”. The single is off his upcoming EP, ‘The Boy Who Cried Freedom’. – Wikipedia
Elza Soares b1937 is a Brazilian samba singer. In 1999, she was named Brazilian Singer of the Millennium by BBC Radio Radio. She was married to football player Garrincha. Her father was a factory worker and guitarist, and her mother was a washerwoman. She was born in a favela in Rio de Janeiro. During her childhood, Soares played on the streets, spun wooden tops, flew kites, and fought with boys. Despite poverty and having to carry buckets of water on her head, she had a happy childhood. When she was 12, she was forced by her father to marry Lourdes Antônio Soares, also known as Alaúrdes, and within a year later gave birth to her first child, João Carlos. Soares liked to sing, and when she needed money for medicine for her son, she participated in a vocal contest. When she was fifteen, she gave birth to her second child, who died. After her husband became ill with tuberculosis, she began working at a soap factory. At twenty-one she was a widow, alone to raise her children: four boys and one girl. She dreamed of becoming a singer. When she was thirty-two she had a relationship with soccer player Garrincha. She was vilified by Brazilian society, with many accusing her of breaking up his marriage. She was shouted at in the street, received death threats, and her house was pelted with eggs and tomatoes. On April 13, 1969 her mother died in a car accident. Garrincha, Soares, and her daughter Sara were also injured. Garrincha was driving drunk when a truck merged into the lane and Dona Rosário was thrown from the vehicle and killed. Soares and Garrincha remained married for sixteen years (1968–1982). Garrincha’s friends did not accept Soares as his wife, instead calling her a “witch.” Soares tried to curb her husband’s dependence on alcohol by visiting bars and pleading with them not to serve her husband. The couple had one child, a boy, born in 1976. In 1983 Garrincha died of cirrhosis. On January 11, 1986, her son died when he was 9 years old in a car accident as he was coming back from visiting his father. It had been raining and the driver lost control of the vehicle. The door opened and the boy was thrown into the Imbariê River. Soares was desolate and considered ending her own life. She left Brazil and toured Europe and the United States. After many years of searching for her long lost daughter, they were reunited after Soares returned to Brazil. On July 26, 2015 Soares lost her fifth son, Gerson, when he was 59 years old. He died of complications of a urinary tract infection. Soares had six children: João Carlos, Gerson, Gilson, Dilma, Sara, and Garrincha. Wikipedia
A few singles to give you a feel – Full albums posted below
She was born in 1937 and this came out in 2018. 82 years old and still making next level music. In fact over the years she has become more experimental, incorporating elements of electronica and trip hop in to her sound.
Deus é Mulher – Full Album ( 2018)
00:00 | O Que Se Cala (Douglas Germano) 03:49 | Exú nas Escolas – Part. Especial Edgar (Kiko Dinucci e Edgar) 07:34 | Banho – Part. Ilú Obá de Min (Tulipa Ruiz) 11:03 | Eu Quero Comer Você (Romulo Fróes e Alice Coutinho) 15:32 | Língua Solta (Rômulo Fróes e Alice Coutinho 21:00 | Hienas na TV (Kiko Dinucci e Clima) 24:51 | Clareza (Rodrigo Campos) 28:58 | Um Olho Aberto (Mariá Portugal) 32:35 | Credo (Douglas Germano) 35:45 | Dentro de Cada Um (Pedro Loureiro e Luciano Mello) 39:44 | Deus Há De Ser (Pedro Luis)
A Mulher do Fim do Mundo Full Album (2015)
01 – 00:00 “Coração Do Mar / Mulher Do Fim Do Mundo” 02 – 05:59 “Maria Da Vila Matilde” 03 – 09:43 “Luz Vermelha” 04 – 14:15 “Pra Fuder” 05 – 18:11 “Benedita” 06 – 23:16 “Firmeza” 07 – 26:49 “Dança” 08 – 30:23 “Canal” 09 – 33:30 “Solto / Comigo”
Vivo Feliz – 2003
00:00 1. Intro 00:25 2. Opinião (Zé Keti) 04:53 3. Eu Gosto Da Minha Terra (Randoval Montenegro) 08:24 4. Rio De Janeiro (Anderson Lugão) 12:15 5. Volta Por Cima (Paulo Vanzolini) 15:52 6. Somos Todos Iguais (Elza Soares) 20:25 7. Two Tac (Anderson Lugão) 24:32 8. Concórdia (Nando Reis) 28:39 9. Computadores Fazem Arte (Fred 04) 36:19 10. Lata D’água (Elza Soares)
Do Cóccix Até O Pescoço (Álbum Completo Oficial – 2002)
00:00 1 – Dura na Quea (Chico Buarque) 04:00 2 – Hoje é Dia de Festa (Jorge Benjor) 08:50 3 – Haiti (Caetano Veloso, Gilberto Gil) 13:13 4 – Dor de Cotovelo (Caetano Veloso) 16:49 5 – Bambino (Ernesto Nazareth, José Miguel Wisnik) 20:14 6 – A Carne (Seu Jorge, Marcelo Yuka, Wilson Cappellette) 23:55 7 – Eu Vou Ficar Aqui (Arnaldo Antunes) 29:47 8 – Etnocopop (Carlinhos Brown) 33:41 9 – Fadas (Luiz Melodia) 37:42 10 Flores Horizontais (Oswald de Andrade, José Miguel Wisnik) 42:15 11 – A Cigarra – part. especial Letícia Sabatella (Elza Soares, Letícia Sabatella) 46:46 12 – Quebra Lá Que Eu Quebro De Cá Não Volto Atrás 53:55 13 – Todo Dia (ABM de Aguiar) 56:05 14 – Façamos (Vamos Amar). part. especial Chico Buarque (Cole Porter, Vrs. Carlos Rennó)
Pilão + Raça = Elza (1977)
01 – Língua de Pilão (Elza Soares) 00:00 02 – Enredo de Pirraça (Elza Soares e Gerson Alves) 02:31 03 – Aldeia de Okarimbé (Aloísio, Cesar Veneno e Naval 06:13 04 – Sombra Confidente (Gerson Alves) 08:17 05 – Perdão Vila Isabel (Elza Soares e Gerson Alves) 12:01 06 – Perdão Amor (Jorge Aragão e Neuci) 14:46 Lado B: 07 – De Pandeiro na Mão (João Roberto Kelly) 18:07 08 – Só Tem Um Jeito Agora (Roberto Neves) 20:42 09 – Amor Aventureiro (Décio Antonio Carlos e Silas de Oliveira 23:34 10 – Compositor (Rildo Hora e Sérgio Cabral) 26:46 11 – Prezado Amigo (Rildo Hora e Sérgio Cabral) 29:03 12 – Só Uma Lágrima (Acyr Pimentel) 31:58
Pronto Livre – 1974
1 – Bom Dia Portela (Bebeto De São João, David Correia) 2 – Pranto Livre (Everaldo Da Viola, Dida) 3 – Não É Hora De Tristeza (Walter Da Imperatriz, Lino Roberto, Wilson Medeiros) 4 – Meia Noite Já É Dia (Norival Reis, David Correia) 5 – Desabafo (Nezinho, Campo, Tatu) 6 – Partido Do Lê Lê Lê (Otilo Gomes) 7 – Deusa Do Rio Niger (Motorzinho, Walter Norambê) 8 – Quem Há De Dizer (Alcides Gonçalves, Lupicínio Rodrigues) 9 – Louvei Maria (Elza Soares) 10 – Xamêgo De Crioula (Zé Di) 11 – Falso Papel (Dario Marciano) 12 – Giringonça (Josealdo Fraga)
Zuricha, with his background in classical, folk, experimental, pop, electronic and dance music, fuses his records with a large variety of sound textures and short musical stories interweaved gracefully to imbibe the listener into its deep, soothing and at the same time melancholic world. Zuricha used his wide arsenal of the musical crafts to create this unique soundscape. Soft and dynamic dance elements mixed with the live guitars, together with calm, emotive vocals and acoustic guitar . You cannot identify one specific style or influence here and one can certainly feel immaculate taste, precise execution and kindness at its soul when you listen to Zuricha´s music. Traxsource Distributed By Symphonic Distribution – www.symphonicdistribution.com
Benjamin Kilchhofer is not new to the world of recorded music, yet he doesn’t seem to fit into a particular scene or group. As an outsider he is, however, fully immersed and melded into his own universe. He mentally escapes to a parallel world and weaves an alternate reality which would otherwise not exist in his daily life. Kilchhofer avoids the spotlight and therefore isn’t really visible in today’s culture of ever changing content and social media. This is where Marionette steps in to attempt to shed as much light as possible on this unique and incredibly talented artist. – Soundcloud
Girma Bèyènè is a true legend of Ethiopian music. After an exile in the United States and a radio silence that lasted 25 years, he accepted with jubilation the invitation of the group Akalé Wubé to return to the front of the stage.
The comeback took place last September during a memorable concert with Akalé Wube at the Studio de l’Ermitage. Tracks (Arte), Le Monde, Libé relayed this major event that has aroused great emotion among fans of music ethio and beyond. https://fr.ulule.com/girma/
Eyal Talmudi + Roy Chen – Saved My Eyes From Tears” This album wrote itself. It was time for a change in life, and music followed. Like it should be, drums came first to set the tempo and style. Then friends just laid keys, samples and most importantly (and for the first time for me) – lyrics. So true and honest. Still it’s hard for me to believe how easy it was to just let it happen. Thank you, loved ones, for just showing up at the right moment.” — Eyal Talmudi //
“There was magic around the recoding of this album. From laying down Roy’s first massive drum takes, the studio filled up with energy, vibrating straight to Talmudi’s abstract and beautiful saxophone melodies.
We created a very dynamic and high end set up in Kicha Studios, Tel Aviv; it was a pleasure for the guest musicians on the album, who jumped right in the sessions and gave an amazing input.
I feel that the album is intensive and comforting, made by good friends together yet still full of real and happy loneliness.” — Rejoicer //
Released: October 2014
Born 1966 in Sweden, Anders Osborne is an American singer/songwriter who tours solo or with his band, as well as playing in North Mississippi Osborne (N.M.O), a group formed by Osborne and North Mississippi Allstars. As a teen, Osborne started playing guitar and listening to Bob Dylan, Neil Young, Jackson Browne, and Joni Mitchell records. He was influenced by the vocal styles of Ray Charles, Van Morrison and Lowell George, Robert Johnson and recordings of African drumming. "Blues connected everything together for me," Osborne recalls. "The early rock, the R&B, the jazz, the singer-songwriters. Blues was like a thread running through everything." He began playing in Open D tuning, which gives his fretwork a signature sound and feel. "I first heard Open D on Joni Mitchell's Blue" he says, "and my fingers just fit the tuning." Wikipedia
Yeah, the colours of the morning, look so pretty without the cocaine, shimmering like a diamond mine. But there's something about ol' Shane, wants you to be in pain, it wants it all the time. Counting drinks and bottles planning my big exit staring at that cigarette in your mouth. I don't need your understanding, the pity or another meeting, I just want you to look away for just one day....ah fuck it, so sick of this liquor drought. Still looking for a piece of me nothing drag through the misery and always need your help. Just a glimpse of who I am when I'm able and I can do something good for someone else. Still counting drinks and bottles planning my big exit staring at that cigarette in your mouth. I don't need your understanding, pity or another needle I just want you to look away for just one day yeah fuck it, so sick of this liquor drought. Counting drinks and bottles, planning my big exit Just staring at the cigarette in your mouth. I don't need your understanding your pity or another meeting, I just want you to look away for just one day, so sick of this liquor drought
Mind of a Junkie - Some real Neil Young vibes on this one.
Yeah Im nervous Im sweating I hate to make amends, bunch of opinions but I'm always on the fence. Pissed off and sad at the same time please somebody save me from my crazy mind. I try to read the big book but I can't see the words every time I meditate the whole things a blur, panic attacks and short of breath I try to get things done when my body needs to rest. I've been living in the mind of a junkie thinking my junkie thoughts putting out my selfish aspirations, oh not letting God into my heart. I don't pick up the phone and I cant sleep I ain't got no appetite but I still over eat I want peace and quiet but I keep running my mouth my soul is like a hurricane but I am still filled with self doubt. I hate the way I look and my ego's always bruised I isolate myself I get some more tattoos. Im always running late so I can't make any plans Im preaching about stuff that I dont understand. I've been living in the mind of a junkie thinking my junkie thoughts Im putting out my selfish aspirations, oh not letting God into my heart.
Born to Die Together
Born to Die Together – Live. A great guitar jam off from 4:25 – 7:25
Anders the Mountain Man! His sound with The Stanton Moore Trio is much more boogie & blues oriented.
“Club Chai Vol. 1 features 21 artists based locally in the Bay Area, US, and internationally who have been booked at or have collaborated with Club Chai, and whose work falls in line with Club Chai’s diasporic vision.” – Bandcamp
Chris Roth, AKA Marenn Sukie is an accomplished sample manipulator whose richly organic sounds call to mind ‘Rounds’ era Four Tet and the sophisticated jazz of Cinematic Orchestra. Mining audio gold from the widescreen productions of classic 70’s music Roth balances an interest in contemporary beat culture with a winsome eye for the golden sounds of the past. “My tracks have usually around 30 different samples in one tune,” Roth explains “I make a point to never sample ‘loops’ – it’s a mix of pitching samples then maybe adding a synth for bass lines.” The Mosaic EP spans a wide range of moods and tempos – genre is fluid in the world of Marenn Sukie; house, drum n bass and jazz bleeding together, creating a beguiling blend all Roth’s own. Released May 11, 2018 – from Bandcamp
Hailing from the sonic vortex of Melbourne’s music community, WVR BVBY bring a live infusion of Down-tempo, Cinematic Prog and Jazz through what they like to call, Intergalactic Hard-Groove. Emerging from several Melbourne showcases in 2017, Including Melbourne International Jazz Festival, Strawberry Fields Festival and PBS & The Foreign Brothers’ ‘MOMENTUM’. Melbourne’s Intergalactic Groove outfit, WVR BVBY, entered 2018 with an exclusive 10” white label release on Plug Seven Records that includes 2 singles from their Record Store Day Album Debut, out April 21st 2018. Taking inspiration from crate digger culture, 70s production techniques, LA session musicians Miguel Atwood-Ferguson and Kamasi Washington, WVR BVBY fuse these timbres and tonalities with a Melbourne interpretation and a direction towards a cinematic environment. The large ensemble of musicians, who each hold down their own unique styles, work together through an electric journey of roaring horns, synth arpeggiation and an exploration of rhythm interplay and meditative grooves.- Soundcloud
The Malah have been captivating ears across the country with their organic, electro grooves since 2003. Having recently relocated to the burgeoning music scene in Colorado, by way of Greenville, SC, The Malah have spent the last decade touring relentlessly, mastering their sound, and gaining a devout fan-base along the way. In a scene where live-electronic music is running rampant, the Malah have managed to stand out by mixing rich, earthy atmospheres with electrifying rhythms. The trio explores the meeting point of cutting-edge technology and ancient musical theory, creating a unique sound that is praised in both the “Jam” and “Electronica” communities. The music is constantly evolving and brings together influences from an endless array of genres including Rock, Funk, Hip Hop, Jazz, World Beat, and Breakbeat with an effortless transition.
Widespread Panic has been together for over 30 years. Formed by original members vocalist/guitarist John “JB” Bell, bassist Dave Schools and late guitarist Michael Houser, who lived together in a suburban house in Athens, GA, where they met as students not far from the University of Georgia campus, later to be joined by drummer Todd Nance. The band’s line-up was solidified with the addition of percussionist Domingo “Sunny” Ortiz and keyboard player John “JoJo” Hermann and Duane Trucks on drums. See full bio..http://www.widespreadpanic.com/bio
Woods is an American folk rock band from Brooklyn, New York. Formed in 2005, the band consists of Jeremy Earl, Jarvis Taveniere, Aaron Neveu, Chuck Van Dyck, and Kyle Forester. The band’s former bassist is Kevin Morby, who left the band in 2013. Woods have released nine albums, the latest being Love Is Love. – Wikipedia
English Patiperro EP is the first official release of ¨El Extravagante¨, Felipe Nadeau’s side project and a release through Regional Label. A mix of Electronic Folklore, Digital Cumbia and World Music, with the remixes of some of the most promising artists of these genres in Latin America. Available for free download below. -Soundcloud https://soundcloud.com/selloregional/… * https://soundcloud.com/elextravagante
Hope has always been involved in healing & creative arts, from visual arts & music, to sustainability education & community health. Music: The hand drummer for world roots rock band, Medicine for the People (Nahko.com) since 2007, Hope has been playing percussion for over twenty years. Her first teacher was Babatunde Olatunje, and she has studied with master drummers in West Africa, Peru and Brazil. She is honoured to use indigenous instruments on a modern stage. Hope has also facilitated drum circles and taught rhythm classes to over 2,500 participants. She also has her own solo music projects; her most recent is her third album, ‘Bring to Light’
Art: Hope has been painting since childhood. She often combines rich colour and lines, poetry, and textures of natural earth elements to tell the story of her journeys, and create worlds seen through her dreams, travels, and visions. Hope has been painting since childhood. Environmental & Social Projects : Hope was a founding board member of Tryon Life Community Farm, an environmental education centre in Portland, Oregon. She co-created and taught their education program, which includes a fusion of permaculture, natural building, sustainable energy and social justice. Hope is a board member of Honour the Earth, an indigenous environmental justice project, working alongside the Indigo Girls and Winona LaDuke.
Women’s Health & Birth: Hope has trained and worked as midwife and doula, a graduate of the National College of Midwifery, and has attended over 400 births in the U.S., Indonesia, and Africa, where Hope worked at a village birth centre with the African Birth Collective. This inspired her to work harder to educate and raise awareness for women as to their options for their health, thus Hope began Artemis Healing Arts (artemishealingarts.com) education program and has taught natural birth classes in Peru, Brazil, Bali and at FIndhorn, in Scotland as well as in the US. – Article & Image: hopemedford.com
Rising Appalachia is an American folk music group led by multi instrumentalist sisters Leah and Chloe Smith. Leah also performs as a solo artist under the name Leah Song. Based between Southern Appalachia and New Orleans, the sisters work with an array of international musicians and the band incorporates everything from simple harmonics with banjos and fiddles, to a wide variety of drums, kalimbas, beatbox, djembe, baliphone, congas, didgeridoo, tablas, spoons and washboard creating a full mix of world, folk and soul music. Castanea is the moniker for Rising Appalachia’s David Brown: multi-instrumentalist, producer
A mixture of Peruvian, Colombian and New York musicians, La Mecánica Popular is part of the new wave of tropical music. Steeped in the roots of 1970’s era salsa dura and heavily influenced by the psychedelic experimental sounds of Peru, the band combines a proper dose of ambience and hard rhythms. – Bandcamp
Son Littles music touches on soul, blues, hip-hop and reggae. Samples, fuzzy guitar and simple drums work together to create an undeniable groove and NME called his sound “pure, heart-spilled-over-the-road soul.” Born in Los Angeles to a preacher and a teacher, as a kid Son (formerly known as Aaron Livingston) absorbed songs from dusty family records and learned saxophone and piano, though he felt more at home inventing his own language on those instruments rather than following the lesson plan. Adapt or die, as they say. Cycling through jazz, rock and R&B history, the hungry young son was beginning his true education. He moved east, then to Philly. He loves to write, he lives to write – and even though there have been lapses of time, he always comes back to it as both a vocation and a joy. There are many channels to Son Little’s broadcast, varied stops on the dial, from blues to soul to funk to folk, and juke-joint jazz and chamber pop and back again. His voice—raw, weary yet alert, grave and gravelly, Marvin and Otis and Stevie all at once—soars and creeps, cracks and moans. His songs haunt, thrill, yearn and stomp like all the best work of his heroes. He has collaborated with highly respected artists like The Roots and the producer/DJ RJD2. And more recently, he had the distinct honour of producing legendary gospel singer Mavis Staples’ 4-song EP, Your Good Fortune, in addition to writing two of the songs on the recording. The collaboration inventively merges Staples’ iconic and soulful voice, renowned as part of The Staple Singers and as a Grammy-winning solo artist, with Little’s talent for reconfiguring the sensibilities of genres including soul, hip-hop and heavy rock. The resulting tracks retain every bit of Staples’ emotional delivery, while adding an array of modernist sounds created with the cut and paste methodology of contemporary hip-hop. VFF
“I am very happy to present this album – made with love for music and spiritual search.
Rejoicer’s effortless and easy approach to the creation process kept the music and workflow fresh, while some of my good friends, who also happen to be my favorite musicians, contributed to the amazing atmosphere in the studio.
This music was created first of all in the name of music.”– Sol Monk
“we visioned the album to be banging and surprising from the start so we used hella side chain, extreme drums mic-ing positions, weird old vinyls and massive analog synths” — Rejoicer (The Dove)
The Budos Band is an instrumental band recording on the Daptone Records label. The band has nine members (with occasional guests) who on their first studio albums, played instrumental music that was self-described as “Afro-Soul,” a term and sound which – in a 2007 interview – baritone saxophone player Jared Tankel elucidated as being drawn from Ethiopian music the band had been listening to that had a soul undercurrent to it. Since this time, the band has moved toward playing what they refer to as “70’s Psychedelic Instrumental Music.”Jazz, deep funk, Afro-beat, soul and heavy-metal influences can be heard in the Budos Band recordings, all of which were released on Daptone Records and recorded at the label’s own studio, Daptone’s House of Soul, in Brooklyn, New York. Though they reside in Brooklyn The Budos Band have toured most of North America, Several countries in Europe and parts of Australia. Wikipedia
Editorial Review from Amazon – The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto. Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly rebellious. And the resulting output has been largely outside of the confines of this island nation unheard or ignored. Indonesia, based in large part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years. Thanks now to the tireless and expensive research of Canadian hip hop producer and Southeast Asian music specialist Jason Moss Connoy – and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the rights necessary for us to offer you this anthology – we feel like we can, in good spirits and conscience, shine the light on some of the most impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of Suharto’s regime.
Its all great but here are 7 of my favourite tracks off the album
Nasambu and the Mystic Nomads based in Los Angeles and Nairobi, infuse African music with jazz, reggae, latin and funk grooves that bring crowds to the dance floor while the soul stirring lyrics and melodies depict the realities of today’s mystic nomads.
First video release from Activate Afrika
Activate Afrika was released in 2012 and produced by Nasambu and her band, The Mystic Nomads, The Mystic Nomads are: Huit-Kilos ~ Lead Guitar Michael McTaggart ~ Rhythm Guitar Dale Black ~ Bass Thiane Diouf ~ Djembe Jayson Fann ~ Congas, Percussion Sandie Castaneda ~ Drums , and of course Nasambu ~ Vocals, Producer
Dance music, just like almost all music came from Africa. This track is 37 years old but with that beat and funky bass line, you could drop it on any dance floor and still get people moving. Ivory Coast, Africa – 1981
An excellent drummer who appeared in many types of settings, Idris Muhammad became a professional when he was 16. He played primarily soul and R&B during 1962-1964 and then spent 1965-1967 as a member of Lou Donaldson‘s band. He was the house drummer at Prestige Records (1970-1972), appearing on many albums as a sideman. Of his later jazz associations, Muhammad played with Johnny Griffin (1978-1979), Pharoah Sanders in the 1980s, George Coleman, and the Paris Reunion Band (1986-1988). He recorded everything from post-bop to dance music as a leader for such labels as Prestige, Kudu, Fantasy, Theresa, and Lipstick. Muhammad, who retired to New Orleans from New York City in 2011, died in July 2014 at the age of 74. – AllMusic Artist Biography by Scott Yanow
Power of Soul- 1974
This album is one of the reasons that Idris Muhammad is regarded as the drumming king of groove. Featuring the arrangements and keyboards of Bob James, the saxophone punch of Grover Washington, Jr., guitarist Joe Beck, trumpeter Randy Brecker, percussionist Ralph MacDonald, and the knife-edge slick production of Creed Taylor, this 1974 issue is a burning piece of deep, jazzy soul and grooved-out bliss. The funk flies fast and heavy, particularly on the title track (Jimi Hendrix‘s tune), with soaring solos by Grover and James, who fall down in the groove to Muhammad’s powerful pace, setting from the heart of the pocket. Beck‘s own solo is special in that he moves against the tempo just a bit, but that only increases the listener’s dependence on the groove of Muhammad. Clocking in at only 34 minutes it’s a perfect slice of the raw-onion emotion Muhammad was pulling down at the time. – AllMusic Review by Thom Jurek
Peace & Rhythm 1971
Parts of the second solo album by Prestige Records’ house drummer, Idris Muhammad, are an even poppier affair than Black Rhythm Revolution, with a mellow soul-jazz feel replacing the slight Latin tinge of the earlier album. Side one is downright crossover, with its two pieces of positive-thinking pop (the lyrics, by Muhammad, are sung by his wife, Sakinah Muhammad) separated by a loose but faithful take on Wilson Pickett‘s “Don’t Knock My Love.” That’s just side one, though. Side two is something much weirder and far more interesting. “The Peace and Rhythm Suite” is a side-long suite consisting of two long, spacy compositions that predate the ambient house scene by nearly two decades yet sound entirely of a piece with that style. Long, droning, sustained chords on a variety of wind and reed instruments float above Muhammad‘s percussion, which ebbs and flows in a free, almost arrhythmic way through most of the piece. Fans of the Orb or Brian Eno will find it an old hat, but for early-’70s jazz, this was downright revolutionary. – AllMusic Review by Stewart Mason
Jam rock meets latin tinged disco funk with Neils Nieuborg aka Arp Frique, featuring musicians from Surinam and Cape Verde. Hailing from Rotterdam, Nieuborg is a key member of the Dutch live music scene.
Barrington Ainsworth Levy born 1964, is a Jamaicanreggae and dancehall artist. He formed a band called the Mighty Multitude, with his cousin, Everton Dacres; the pair released “My Black Girl” in 1977. Levy established his solo career the next year with “A Long Time Since We Don’t Have No Love”; though the single was a failure, the fourteen-year-old was a popular performer at Jamaican dancehalls. In an August 2014 interview with Midnight Raver, record producer Delroy Wright revealed that it was his brother Hyman Wright who first met Barrington Levy in the mid-1970s through Wade “Trinity” Brammer. According to Delroy Wright, Hyman Wright recorded a host of tracks with Barrington Levy prior to introducing him to Henry “Junjo” Lawes. These tracks would eventually appear on the album Bounty Hunter, which was released on the Jah Life record label. Both record producers recorded several singles with the Roots Radics, including “Al Yah We Deh”, “Looking My Love”, “Englishman”, “Skylarking”, “Wedding Ring Aside” and “Collie Weed”, all of which became hits and established Levy’s career. Levy’s next few singles were similarly successful, including “Shine Eye Girl”, “Wicked Intention”, “Jumpy Girl”, “Disco Music”, “Reggae Music”, “Never Tear My Love Apart”, “Jah”, “You Made Me So Happy” and “When You’re Young and in Love”. Levy then recorded several duets with Toyan, Jah Thomas and Trinity, and appeared at Reggae Sunsplash in 1980 and 1981. Although albums were not terribly important in Jamaica at the time, Levy released four albums before 1980: Shaolin Temple, Bounty Hunter, Shine Eye Gal (United Kingdom) and Englishman, a critically acclaimed record. His success led to many earlier studio and sound system performances being reissued without his consent, releases he described as “joke business”. By the time his 1980 album Robin Hood was released, Levy was one of the biggest Jamaican stars, and saw his international fame growing as well, especially in the United Kingdom. Levy made his debut as a producer on the rare 1981 showcase album titled Run Come Ya, which was issued on the Canadian Puff Records label. Taking a break from albums, Levy then released a series of hit singles, including “Mary Long Tongue”, “In the Dark”, “Too Poor”, “I Have a Problem”, “Even Tide Fire a Disaster”, “I’m Not in Love”, “You Have It”, “Love of Jah”, “Under Mi Sensi”, “Tomorrow Is Another Day”, “Robberman”, “Black Roses”, “My Woman” and “Money Move”. He began working with Paul “Jah Screw” Love and toured the UK in 1984, where he enjoyed a big hit on the reggae charts with “Under Mi Sensi”, which was followed by the crossover hit “Here I Come”, which reached number 41 in the UK Singles Chart in 1985. He returned to LPs with Lifestyle and Money Move, followed by a British hit album called Here I Come; Levy received the Best Vocalist prize at the British Reggae Awards in 1984. The late 1980s saw Levy, now in his twenties, slow down his recorded output, though he continued to perform and record regularly, and played at Sunsplash every year from 1987 to 1995.[2] His fortunes were revived by two cover versions of Bob Andy songs – “My Time” and “Too Experienced”, both produced by Jah Screw, and he was signed by Island Records in 1991 for the Divine album. In 1991 he returned to the UK chart with “Tribal Base”, a single by Rebel MC featuring Levy and Tenor Fly, which reached number 20.[2] In 1993, Levy tried to break in the United States with the Barrington album, produced by Lee Jaffe, Andre Betts and Sly & Robbie, but it failed to give him the breakthrough he wanted and his relationship with MCA Records was short-lived. In the 1990s, Levy continued to release periodic hits in Jamaica, and more rarely in the UK, although his vocals were sampled and used in many underground and released jungle tunes. In 1998, he released Living Dangerously, which included a collaboration with one of Jamaica’s most prolific deejays, Bounty Killer, and with Snoop Dogg. The release was one of Levy’s most successful since the start of the 1990s, and saw him finally achieve some success in the US.[3] Levy performed on two tracks on Long Beach Dub All Stars 1999 album Right Back, and also played a few shows with the band. He was featured on a 1999 track by the Rascalz titled “Top of the World“, also featuring K-os. Levy also appeared on two singles by rapperShyne (“Bad Boyz” and “Bonnie & Shyne“), and on a track for drum and bass artist Aphrodite’s 2000 album Aftershock. “Here I Come” returned to the charts in 2001, with a new version by Levy and Talisman P reaching number 37 in the UK. In 2004, he contributed to a track on the album White People by Handsome Boy Modeling School, a project by Prince Paul and Dan the Automator. He also did some collaborations with Slightly Stoopid on their 2005 album Closer To The Sun. Most recently,[when?] Levy made a guest appearance on the single “No Fuss” by Red-1 of the Rascalz, from his 2007 album Beg For Nothing. In September 2013 he released the single “Love the Way She Love”, a collaboration with Mr. Vegas, and announced an acoustic album featuring new songs and reworkings of old songs such as “Prison Oval Rock” and “Black Roses”. His album, Acousticalevy, was nominated for a Grammy Award for Best Reggae Album in 2016. Wikipedia
The Early Years 1979-194- Released 2005
01. Shaolin Temple (0:00) 02. I’m Not In Love (1:50) 03. Run Come Ya (4:34) 04. Black Heart Man (7:44) 05. Full Understanding (9:50) 06. Wedding Ring (12:04) 07. Whom Shall I Be Afraid Of (12:43) 08. Skylarking (16:31) 09. Love of Jah (21:17) 10. Time is So Hard (24:18) 11. Jah Life (27:17) 12. Looking My Love (30:10) 13. A Yah We Deh (34:35) 14. Ragga Muffin (37:04) 15. Under Mi Sensi (40:45) 16. Jah is With Me (44:57) 17. Many Changes in Life (48:17) 18. Poor Man Style (50:44) 19. Mary Long Tongue (53:47) 20. Lost and Found (56:21) 21. Murderer (58:27) 22. Mind You Hurt My Mom (1:02:00) 23. Now-A-Days (1:02:29) 24. Revelation (1:02:58) 25. Captivity (1:06:32) 26. Collie Weed (1:07:15) 27. Look Youthman (1:08:16) 28. 21 Girls Salute (1:11:14)
Shiny Eye Gal- Released 1979
Tracklist: 1) A Ya We Deh , 2) Shine Eye Ga, 3) l Collie Dread, 4) Captivity, 5) Pretty Looks, 6) Revelation, 7) Christmas Day, 8) Jam Down
BRIAN BENNETT was born in London in 1940 and by the late 1950s was one of the most sought-after percussionists around. As well as his solo work and collaborations he was a member of the Shadows, joining in 1961. He has been one of the top drummers in rock & roll for two generations, as well as a top arranger and an award-winning film and television composer. His multi-tiered career, which includes running his own record label, has made Bennett one of the most successful musicians of his generation, well into the 21st century. (extracted from All Music & Drummer world)
The 12 tracks I have selected in the playlist below cover mostly the space funk/abstract soul side of his repertoire.
Lincoln Sugar Minott was born in Kingston, Jamaica in 1956. He grew up in a poor area of West Kingston and from an early age developed a love of Reggae music and the music of Studio One in particular. As a teenager, he became selector for Sound of Silence Keystone and Gathering of Youth local sound-systems. By the late 1970s Minott had risen to become one of the biggest stars in Jamaican music. (continue reading below…)
Rodrigo Amarante de Castro Neves (born September 6, 1976 in Rio de Janeiro is a Brazilian singer-songwriter, multi-instrumentalist, and occasional arranger. He is part of the bands Los Hermanos, Orquestra Imperial, and Little Joy, and released his first solo record, Cavalo, in Brazil in late 2013 and worldwide in May 2014. He also wrote and performed the bolero “Tuyo”, the theme song for the Netflix Original Series Narcos (2015). – Wikipedia
Biomigrant is the musical expression of producer and multi-instrumentalist Michael Alfred Wagner. Born in the US, in 2014 he crossed Central America by bicycle, arriving in Colombia where he currently lives. With a Live Set that mixes vocals, flute, Colombian gaita, and trumpet with loops of traditional musicians and natural soundscapes recorded during travels through Latin America, and electronic productions drawing on influences from Global Bass, House, Downtempo, Dub, and Latin, Biomigrant has brought joy and surprise to dancefloors across the world. – Biomigrant page
Berlins Black Loops makes music in the House/Deep House genre. Fuzzy funk and soulful female vocals combine to give a disco house vibe to much of his music.
Black Loops has released 7 EP’s on the respected German House Record label Toy Tonics, and also released noteworthy EP’s on Neovinyl Recordings, Pets Recordings, and Gruuv and Good Ratio.
Footshooter is the production moniker of south-east London based producer, DJ and musician Barney Whittaker. His production style blends the rhythms of UK dance music with the melodic textures and instrumentation of jazz and soul, alongside vocals, rapping and poetry from some of London’s most compelling new artists. – brainchildfestival.co.uk
The debut album by Goatman, a new solo project by one of the mysterious members from the Swedish collective GOAT. The 6 tracks on Rhythms reveal a true collision of African Rock, Jazz, Reggae, Gospel and Psych, but all put through the famous GOAT filters. Rhythms is a very apt title for the album as each track is an exploration of the ‘groove’. From the Fela Kuti‘esqe drums and horns jam of Jaam Ak Salam, to the frantic gospel-jazz of Carry the Load. From the fuzzed Can via the ‘Bristol sound’ track of Hum Bebass Nahin, to the cinematic, Spacemen 3‘esqe drones of the album closer Baaneexu. The end result is quite an astonishing and very unique album, like what you would expect from an album made by a member of GOAT – an album that is hard to put your finger on, but one that you will keep revisiting, the more it’s sounds reveals itself. Goatman plays all the instruments on the album bar some additional drums by Hanna Östergren from fellow Swedish bands Hills and Träd, Gräs & Stenar, and an added horn section courtesy of Johan Asplund, David Byström. One of the standout highlights of the album though is the collection of great guest vocalists Goatman has enlisted. Tracks Jaam Ak Salam and Aduna feature the very special voice of Senegalese singer Seydi Mandoza. You will also hear the vocals of Swedish based singers Amanda Werne on Carry the Load and Amerykhan on Hum Bebass Nahin. Goatman’s passion for traditional and contemporary music from around the world can be clearly heard when listening to Rhythms. The level of authenticity and willingness for exploration that Goatman has captured truly shows a fanatical respect for the music he is greatly influenced by. But at the end of the day, Rhythms is an album that has a sole purpose, and that is for to you to enjoy, dance and have fun too!” Boomkat Records
Fronted by vocalist Lalin St. Juste, The Seshen is a seven piece band based from San Francisco. Mixing live and electronic elements and taking influence from eclectic sources including psychedelia, hip-hop, pop, R&B, West African music, dub, and indie rock, they create beat-driven compositions with a strong emotional core. – Tru Thoughts Records
One of the most exciting emerging voices in electronic music, David August has, at just 25 years old, continually refused to conform. He has released music on labels spanning underground hothouse Innervisions and Diynamic; remixed the likes of Max Cooper and The Acid; won 4th place in Resident Advisor’s best live acts of 2014 and 2015; embarked on a PHD in sound design; worked on politically charged music with Greek harpist and singer Sissi Rada; and performed with the 50-piece Deutsches Symphonie-Orchester Berlin for 3 consecutive sold out nights. – Ninja Tune
The first shafts of morning light creep over the hilltop terraces, illuminating the ancient commune of Palestrina – David August breathes new air. Born in Hamburg in 1990, August composes and performs multifaceted electronic music with hopeful tones and a human aesthetic. “Creating music – the act of creating in general – should be free from rationalization. In the best case, relying solely on subconscious communication,” says the classically trained multi-instrumentalist. – Resident Advisor
Joe Pilgrim is a charismatic singer with a singular and melodious voice, and he has been a player of the Reggae and Dub scene since 2005. His energy, his spiritual sensitiveness and his humanity make him an authentic and endearing figure – Soundcloud
Joe Pilgrim & The Ligerians’ first Official Music Video. ‘Lion’ from the album ‘Intuitions’, performed and recorded Live.
from the album “Intuitions” (2015)
Migrants strongly denounce the inhumanity of European political powers in managing the migration crisis of recent years.It pays tribute to the boundless courage of these men and women who travel thousands of miles to find a land of freedom. With the help of the Rastas du Coeur association , Joe Pilgrim got in touch with the volunteers of associations working in the “jungle” camp in Calais.He went there to meet and carry the voices of these men, women and children in transit in these makeshift camps.With the collaboration of Juliette Baudot and Ma Kata , they shot the documentary clip of this title.Joe Pilgrim & The Ligerians announce that they have decided to donate all proceeds related to the downloads of the title to the association L’auberge des migrants – by Boris Adamczyk / Fraca-Ma – 23/02/2018
One of the high points of his post-Fela catalog was in the 1999 record Black Voices, which crosses over so many musical boundaries that it is impossible to name them all. A group effort in every sense of the word, Tony Allen found himself surrounded with some of the most innovative, talented, and energetic musicians on the planet, and the sounds and moods they created as a group represent the pinnacle of what can happen when such talent is properly focused. Each of the tracks on Black Voices explodes with positive energy and irresistible grooves, yet there are also social criticisms and observations running underneath the stunning musical arrangements. – music_emporium
As a key member of Fela Kuti’s band Africa 70, Tony Allen single-handedly created some of the most propulsive and innovative rhythms of the 20th century. Homecooking finds him on scarily good form, laying down a foundation of the crispest, spikiest drum tracks. All the familiar Afro-beat elements are present and correct, including hard-riffing horns and righteous, mantra-like vocals. There is also more than a touch of Kuti in some of the lyrics, which address such concerns as war, the folly of taking advantage of other people’s kindness, and generally staying in touch with your roots. The album has an edgy, contemporary feel, courtesy of English rapper Ty and Damon Albarn, who appears on the lead-off single, Every Season. Albarn layers Allen’s loose, spacious groove with a catchy hook-line, although the rest of the album is stronger on hip-swivelling rhythms than hummable melodies. – The Guardian
Tony Allen played drums in Fela Kuti’s bands between 1964 and 1978, contributing a vital element to Afrobeat’s evolution. And while he’s been active as a bandleader for nearly three decades, Allen’s presence has intensified during the last five years. This set was recorded in Lagos, and manages to harness the rugged grit of that difficult city, whilst simultaneously presenting Allen’s signature sound with a slick production sheen. Intense horn riffs, choppy guitar, call-and-response vocals: all of these elements are interwoven with Allen’s detailed, cyclic beats, his taut tripping lending an elastic tension to the dancefloor. – BBC
The sticker affixed to the front of Tony Allen’s new album says it all, really. “Perhaps the greatest drummer ever,” reads a quote from Brian Eno; “Without Tony Allen, there’d be no Afrobeat,” reads a quote from the late Fela Kuti. Allen has never crossed over and become a name of wide renown, and oddly his Nonesuch debut could give the drummer his widest platform to date. Yet Secret Agent is only the latest step of a creative continuum set in motion over 40 years ago, beginning with Allen’s pioneering and prolific work in Fela Kuti’s band through his years as a solo act and bandleader and even, a few years back, as a quiet but important component of Damon Albarn’s the Good, the Bad & the Queen project. Allen’s particular genius has been his ability to lie just behind the beat, pushing and pulling the song without calling too much attention to himself. Secret Agent frequently directs your attention to the song’s component parts– the backing brass, Cameroonian guitarist Claude Dibongue’s jazzy licks, Rody Cereyon’s funky bass on tracks like “Ijo” or “Ayenlo”. (Those two feature R&B-like vocals from Orobiyi Adunni, one of several guest singers; Allen himself grumbles lead on the title track and album closer “Elewon Po”. In fact, it’s so easy to get lost in these elements that Allen almost blends into the background, camouflaged, his cymbal pings, rolls, and ghost strokes like rivets holding the whole construct together.Granted, Secret Agent doesn’t represent Afrobeat at its most fiery, but it does represent Allen (nearing 70) continuing his late career high, mellow in the way he swings songs like “Busybody” or “Pariwo” (the latter surprisingly strident nonetheless despite its gentle, accordion-laden gait) but never more confident. Leave it to Fela scions Seun and Femi (among other aspirants to the Afrobeat throne) to swagger like they’ve got something to prove. But Tony Allen? Allen as always lies back and waits for you to come to him. – Pitchfork
Film of Life doesn’t quite break new ground for Allen, but it does offer a pretty solid and succinct demonstration of Afrobeat’s adaptability to changing times. There are no side-long epics in the Fela mold here, but Allen packs quite a bit into each of these four-to-seven-minute-tracks, building up from his own drums grooves with hypnotic guitar and bass patterns, a richly arranged horn section, and an assortment of other sounds that are nearly all overwhelmed by the massive rhythm that dominates everything. Allen himself handles vocals on the first two tracks, mostly talking in his deep bass register and aided by a female chorus, narrating a personal history and thanking the listener for being there. His voice is appropriately situated well down in the mix; he does his best talking with his hands, and though he shows a little uncharacteristic flash here and there, the really impressive thing about Allen is the way he can take a simple, slow beat like the one on “Tiger’s Skip” and make it sing when a lot of drummers would have trouble just staying in time at that tempo. Comparing it to the much faster beat on the storming, spacey funk instrumental “Ewa” reveals a lot about what makes his playing so special; no matter what else is going on, Allen has an ability to stay steady and fill time with exactly as much embellishment as necessary. – Pitchfork
Nobody knows for sure who the elusive, desert dwelling Clutchy Hopkins really is. A multi instrumentalist from California, his music brings to mind DJ Shadow and Shawn Lee, both of whom could be the man behind Clutchy. This is music that wanders through you, just press play and step away, its a journey.
Clutchy Hopkins and Fat Einstein – High Desert Low TideHigh desert crunch meets city life punch for this collaborative project in sound. Instrumental elements of Soul, Jazz, Hip Hop, Rock and more resonate throughout the record. Acoustic and electric instrumentation set the tone, and in their individual styles Clutchy & Fatty navigate your journey through psych-folk caverns of cactus dust to bloodshot rust-covered marine layer funk. It’s completely distinctive, original, and fresh, paying homage to the past, present and future. Visionary Folk-Funk. – Mike Jones, M.I.M.S.
There’s a spare, spacious approach on Walking Backwards that almost reminds us of the energy that we first felt in DJ Shadow’s groundbreaking work of a decade before — a similar love of gritty, organic source material — and an ear for putting it together with lots of dark twists and turns that balance nicely between classic funk and current hip hop production sensibilities. The flavor of each tune changes nicely — making the album way more than just a clichéd collection of beats…” – Dustygroove
The music on The Life of Clutchy Hopkins is a marvelously concocted and amazingly fresh & contemporary mesh of funk, hip-hop, jazz, and straight-out weird orchestral psychedelia (Hopkins played all the instruments himself, which include drums, bass, guitar, organ, flute, melodica, and assorted percussion) – Bandcamp
2009’s Fascinating Fingers by Shawn Lee & Clutchy Hopkins
Clutch of the Tiger sounds like a collection of film-noir tracks run through the Clutchy Hopkins and Shawn Lee magical music machine. It’s dusty and mysterious junkyard jazz that’s powered by sly beats and other-worldly funk. Famous comic book creator Jim Mahood (who has worked on Spiderman/Marvel, Clerks, Grrl Scouts, Stupid Comics, etc etc) liked the tunes so much he provided the killer artwork for the package! – Ubiquity Records
Music is my Medicine – Late in ’08, Ubiquity was approached by the mysterious Misled Children about another project from Clutchy Hopkins, the man they claim to represent. A vintage Caribbean tracksuit jacket was found in the office fridge, and written in permanent marker on the inside right arm was their request for a meeting where we would “get another piece of the Clutchy Hopkins puzzle.” Cutting a long story short, we acquired a bag of 2-inch reels that contained the dusty, dubbed out Clutchy Hopkins tracks on this LP. Take a pinch of Hopkins deep musical madness and add a sunshine-blessed dubbed-out twist, and that is “Music Is My Medicine”. Ubiquity
Skinshape is the project of British musician, William Dorey. The sound has roots in many genres, from 1960s-70s Funk, Soul, Reggae and Psychedelic Rock to Afrobeat and Folk. Out of a love for old music and the way it sounded, Dorey initially experimented with samples (especially drum breaks) to create instrumental hip-hop/trip-hop tracks, but then later started to play around with tape machines as a means to create his own ‘samples’. This process gave birth to Skinshape, with all elements being recorded by Dorey since the first self-titled album, released in 2014. He released his second album “Oracolo” in 2015, and in 2017 he released his third album “Life & Love”. Aside from the Skinshape project, Dorey was bassist for the band Palace from 2014-2017, and also runs a reggae label called Horus Records, based in North London. – Spotify
Psydub Playlist –Psydub is a sub genre of electronic music that has its roots in psychedelic trance, ambient and dub music. Incorporated dub elements are melodic basslines, deep reggae roots and production techniques like echo, reverb, delay and occasional dubbing of vocal or instrumental snippets, from the original version or other works. An incorporated ambient element is an emphasis on tone and atmosphere. Incorporated psytrance elements are low-bass frequencies and hypnotic melodies and the use of samples. Those samples mostly contain references to drugs, parapsychology, extraterrestrial life, existentialism, out of body experiences, dreams, science, time travel, spirituality and similar mysterious and unconventional topics. Psydub is also highly influenced by the music of India. Wikipedia. Image : https://lets.events/e/psydub
Vancouver’s Christopher Smith is the musical force known as Dralms. It’s hard figure out what style of music it is, a lot of his tracks are bass driven and and experimental at times, while other songs are more subdued and introspective. The Peaking Lights reggae remix of Shook is better than the original in my opinion.
Philip Fullwood’s ultra-rare 1979 LP Words In Dub. Assisted by Winston McKenzie, the Burning Spear-affiliated artist lays down eight tough dubs full of hiss and crackle. – Norman Records
Ultra-rare dub album produced by Winston McKenzie and the Burning Spear-affiliated Phillip Fullwood. Very raw JA-dub. Check the tune Reorganize The Race (Marcus Say) for some crashing cymbals and heavy percussive reverberation. Rough. Highly recommended. Several of the rhythms were later picked up and voiced on the equally rare I-Mo-Jah LP and obscure JA released singles. – Discogs
Underground System is a New York band comprised of a diverse group of musicians that count Afrobeat, Funk and Brazilian music as influences in their sound.
Soundcloud audio is generally much higher quality than Youtube.
SUNS OF ARQA is an epic sonic mission led by luminary Michael Wadada, who formed the band in 1979 after receiving higher guidance during a trip to Kingston, Jamaica while working with the legendary roots reggae chanter Prince Far I. Over 200 artists have collaborated with the eclectic SUNS OF ARQA creating some of the most sublime Dub – World – Dance – Raga – Reggae Music in the world today. Suns of Arqa creator and mentor Michael Wadada began his collaborative recordings with cult classic album ’Revenge of the Mozabites’, together with On U Sounds creator Adrian Sherwood, and were subsequently invited by Peter Gabriel to perform at the very first WOMAD Festival. Over the years, SUNS OF ARQA have included musicians from around the globe, interpreting the various indigenous, tribal and classical folk traditions and performing at many of the major music festivals including Glastonbury, Big Chill, Telerama Dub Festival, WOMAD, Transmusicales, Glade, Sziget, Ozora, Boom & Roskilde, to name but a few. Soundcloud
Hot Casa Records presents Dans le Tchink Système, an Afro-soul treasure by Stanislas Tohon. Tohon was born in 1955 in Abomey, Benin, and, at the age of nine, began a musical career that would produce over thirty albums and many collaborations with such greats as Africando vocalist Gnonnas Pedro. Influenced by traditional tchinkoumé music, Tohon developed his own musical style called “Tchink Système,” a mix of modern soul and Beninese traditional rhythms. Tohon recorded Dans le Tchink Système in Kumasi, Ghana, in 1979, with the incredible Vis-à-Vis Band of Ghana. The album is presented here in full, along with “Africa,” the B-side of Tohon’s rare debut 7″, recorded the year before with Ghanaian band Les Satelites. Sung in Fon, Tohon’s native language, this album is a soulful call for peace and unity in Africa and an exemplary collection of Afro-soul music. This incredibly hard-to-find record is now available again, remastered and limited to 1000 copies. – Forced Exposure
After making her name fronting Ntombi & Survival, Ntombi Ndaba went solo in the late 80s. Her band also did their own thing, releasing The Big Mechanics in ’89 as The Survivals, and continued to back her on Mina Ngilijaja. It’s vintage bubblegum that shows off Ntombi’s powerful vocals and songwriting skills, driven by uptempo synths and the complimented by the emphatic backing vocals of The Angels. The title track (‘I am the judge’) is a self-affirmation of note (“You can’t tell me what to do!”), ‘Flood’ references the classic ‘Pule ea na’ by Hugh Masekela, Mara Louw, the Black Five and others, while obligatory slow jam ‘Weakness In Me’ is an uncredited but impressive cover of Joan Armatrading’s 1981 hit. – Blogspot
James Stewart is DJ host and co-programmer for the Black Atlantic club monthly party at Le Sucre in Lyon. He is an active member and programmer for the collective Palmwine Records and the founder of the blog Afrosouldescarga, and hosts radio shows devoted to Black Atlantic music on Radio Nova Lyon. He also gives lectures on the subject. He’s a member of the Voilaaa Sound System. A Producer and percussionist, his first EP, Cotonou was issued June 8 2018 on the Alma Negra label. – Mixcloud
Norwegian duo Ost & Kjexs debut album “Some But Not All Cheese Comes From The Moon” (2004), consisted entirely of sounds originating from cheese and biscuits, over their second long player. “Caj. Their sound has evolved greatly from the exclusive use of food as a sound source, trading their ticket to goofiness for a VIP pass at Fabric, where their infectious vocal led dance tracks have been widely embraced.
“A six track suite of other worldly beauty from the tabletop electronics of Stefan Paul Goetsch AKA Hainbach. “Songs For Coco” utilises the unique Cocoquantus effects system designed by Ciat Lombarde. The signature lo-fi cascading delays of this instrument become the signature to an utterly haunting and deeply personal album wherein Hainbach doesn’t seem to “play” anything, rather the album feels like a microphone recording of some other dimension. – Boomkat
Atlanter – A Norwegian supergroup of sorts, featuring soloists Jens Carelius and Arild Hammerø plus a couple of seasoned sessioneers, Atlanter play baroque psych-rock somewhere in the Venn diagram between Grizzly Bear and Traffic. – NME
Atlanter is Jens Carelius’ and Arild Hammerø’s new band project. They play rock inspired by desert blues bands, by German krautrock and by old delta blues. All this is done with a Norwegian twist and point of view, and is perhaps best described as Norwegian viddeblues. – Soundcloud
Fantastic clean live recording of ‘Light’
Hanne Kolstø, Atlanter & Frøkedal – Stand Still (Live from the WiMP Container)
Remixes by Prins Thomas
Atlanter – Jewels of Crime (2016) [Full Album]
Live video from the studio for the single Light by Atlanter
Master percussionist and multi instrumentalist Frank Wienk, aka Binkbeats creates a rich tapestry of sound using looping and a vast collection of instruments – from vibraphone to the guzheng (Chinese harp) and even typewriters. Beats Unraveled marked an exploratory phase of how to recreate certain sounds with his own instruments and gear. Now composing his original material, Wienk has began stretching his sonic purview beyond just his vast array of percussion, completely disregarding any parameters. Binkbeats influences bleed into each other freely, intuitively and fearlessly. Cavernous, four-to-the-floor club sprawlers, widescreen pop euphoria and brooding drone workouts all orbit Binkbeats’ all-embracing vision. The common thread of it all: to spawn something surreal out of the earthly. On stage, Wienk naturally surrounds himself with a dazzling amount of toys, instruments and gear: a physical performance that ranges from daredevil to introspective, exploring a nexus of possibilities. – Resident Advisor
Oje Ken Ollivierre, popularly known as Protoje, is a contemporary reggae singer and songwriter from Jamaica. His mother is Jamaican singer, Lorna Bennett, best known for her 1972 rendition of “Breakfast in Bed”. – Wikipedia
DADAWAH- Of all the many albums heralding the arrival of roots, and driving it to ascendency in the Jamaican and international reggae market, few were as uncompromising in vision as Ras Michael‘s Dadawah — Peace & Love. The singing drummer had led aggregations of devout Rastafarian musicians for nearly a decade, releasing grounation flavored, nyahbinghi driven records on his own Zion Disc label. Dadawanow brought Ras Michael together with veteran studio hands — bassist Lloyd Parks, drummer Paul Williams, guitarist Willie Lindo, and pianist/organist Lloyd Charmers, who trebled as producer. The resulting album was a work of faith, but equally it was a leap of faith for the singles orientated Trojan label, whose full-length records had previously tended towards hits round-ups. Dadawa, in contrast, spread a mere four tracks across two sides of vinyl, and while certainly accessible to a wider audience, it was never going to appeal to pop fans. Although not a concept album in the strict sense of the term, it thematically evokes the Biblical final days. “Run Come Rally” calls together the world’s righteous in preparation for the upcoming battle with evil. Having gathered together the brethren from “Seventy Two Nations,” all bow before Jah in a celebration of His greatness, then give voice to their desire to return to “Zion Land.” The set concludes with “Know How You Stand”‘s call for freedom, and with it the ability to fulfill Jah’s plan. The extraordinary power of the set’s themes is echoed by the equally phenomenal backings, all conjuring up the most haunting of atmospheres. While the hand drums give the album a grounation feel, Parks and Williams simultaneously ground the numbers deep in roots. Intriguingly, though, there’s no reggae guitar, just Lindo‘s sublime riffs and licks that flick into the rock realm, while constantly sliding back into blues. Charmers‘ piano and organ occasionally take over the reggae guitar role, but mostly his keys intertwine around Lindo‘s leads, accentuating melodies, scattering elegant flourishes here and there, and subtly building up the atmospheres. Even during the most elongated tracks, there’s no sense of repetition or self-indulgent meanderings, every note and bar furthers the musical and thematic journey. Charmers‘ production is superb, the musicians inspired, and Ras Michael‘s power undeniable. An astounding album that’s lost none of its potency over the years. – (article from ALL MUSIC magazine)
The music of Aruba-born Amsterdam-based artist Pieter Monzón, aka Pete Philly is a blend of hip hop, soul and jazz. Quite a story behind the man who was fronting for the likes of Kanye West and James Brown then disappeared. It was Lyme disease that forced him to drop out of his flourishing music career – an illness that took 20 years to diagnose. Before that Philly wasn’t sure what the problem was: often Lyme disease can be misdiagnosed as a number of other illnesses, from gluten intolerance to allergies to paranoid schizophrenia. Pete Philly is back, and the MC who used to be one half of Pete Philly & Perquisite is now a solo artist, producer and MC all in one.
Walter Rossi’s name may not be familiar to many people in the USA but if you grew up in Canada in the mid 70’s he was hard to miss as his music was all over FM radio. Between the years of 1976-1980 he released 3 excellent studio albums which not only showcased his guitar mastery but also proved that he was no slouch in the songwriting department either. Prior to embarking on a solo career he played alongside the legendary Wilson Pickett and was also a member for a brief time of drummer Buddy Miles’ Express before Buddy went on to play with Jimi Hendrix in Band of Gypsys. Walter is an undiscovered gem and exactly why he was never able to achieve success in the US is mind boggling, although lack of money and poor management certainly played a large part in him not achieving recognition south of the border. I would strongly advise you to seek out those 3 early records, his self titled debut album, Six Strings Nine Lives & Diamonds for the Kid, trust me you will not be disappointed. Since the early 80’s he has spent most of his time producing other acts but in early 2004 he had the itch to play live again after being away from the stage for many years, he also found time to release a new CD called Secret Sins. by Ryan Sparks – January 2005
Spoek Mathambo, b 1985, is a South African artist, producer, singer-songwriter and rapper who fuses traditional sounds of Africa with Rock, Hip Hop and House. A truly high ranking member of the Afro Futurism movement, he has coined his sound ‘Township Tech’, which sounds just perfect to me!
"Impulsive drums, damp ground, charangos and colourful masks. MATANZA was formed in 2009 by three musicians and producers: Luis Galvez, Vicente Vasquez and Rodrigo Gallardo. What started as an experiment mixing acoustic instruments with electronic music and samples, soon turned into live performances where various Latin American instruments such as Colombian percussions, “charangos” and “quenas” join synthesizers and electronic beats.Their fusion of traditional melodies with the different styles from the European Techno scene of the 90’s and creates something consequently new: Tribal Tech House.Since their breakthrough at the Maquinaria Festival 2010, MATANZA keep refreshing not only the Chilean but also the international musical stage." - Momento Magazine
Nomade Records is a Chilean record label and a collective of artists in search of a new sound paradigm that merges the contemporary with the ancestral sound of Latin America. – Bandcamp
The labels main sounds are contemporary latin, lush downtempo and deep ethereal grooves
Josiah Leming (born March 26, 1989) is an Americansinger-songwriter originally from Morristown, Tennessee. At the age of 17, Leming dropped out of high school and began traveling across the United States to play shows while living out of his car. This eventually caught the eye of executives at Warner Brothers Records who signed him to his first major label record deal in 2008. Leming’s debut album, Come On Kid, from Warner Bros. came out September 13, 2010. His main influences are Bob Dylan, Leonard Cohen, Ryan Adams and The Rolling Stones– Wikipedia. Heres a playlist I made containing a bunch of great live performances and some studio tracks. Click Youtube icon bottom right to expand the list.
AUDITIVE COSMOS – Support by Tensnake, Walter Jones, Al Da, Alvaro Cabana, Club Bizarre, Coyote and dozens more, Auditive Cosmos is an ambitious new project from a prolific veteran German-based producer who wishes to remain as anonymous as a yet undiscovered solar system. Under this pseudonym, Auditive Cosmos rides galactic disco waves with a cloaking device in full effect, appearing briefly to jettison the Disco Fiction album onto esteemed German boutique imprint Emerald & Doreen Records. This is an interstellar mission to explore the far reaches of dance music. The sounds throughout the Disco Fiction album are heavily influenced by the Italo and disco scenes of the past few decades but with a modernistic take supplied by the seasoned producer at the helm. Auditive Cosmos supplies bass, drums, electronics, and keys throughout while a talented group of guest vocalists and musicians elegantly fill in the spaces. Highlights include, but are not limited to, the authentic sounding disco blast of “Stargazer”, “Driving At Night” and its slo-mo cyborg serenade, the old school electro vocoder nugget that is “Galactic Riders”, and the synth-tastic wind up of “Discofiction”. With twelve cool tracks in total, there’s plenty to get lost in here, and much to get down to. Blast off! – Soundcloud
Label and Artist Links:
emerald-and-doreen.com
auditivecosmos.com
@auditive-cosmos
In January 2018 Electro-Dschungel re-released their 1987 LP Kebab- Und Andere Traume. The album was produced by Winfried Nacke, a social worker who enlisted international students from Wiesbadener Jugendwerkstatt to form the group for a youth outreach programme he oversaw. The music is a blend of Turkish Pop, Soul, Funk and Disco.
Wah Wah 45s present four remixes of Afrobeat legend Dele Sosimo to vinyl. A perfect document of the lessons Dele learned in Fela Kuti’s ranks during the 70s and 80s, but brought firmly up-to-date and with contemporary social comment as vital to the afrobeat genre as any rhythm or instrument. Wah Wah 45s commissioned these remixes from some of the UKs most interesting new production names. Four tracks of killer dancefloor fodder for pretty much every occasion. Soundcloud
Project Mooncircle front the debut full-length from Lyon-based artist Ivan Arlaud aka 1954. A Part Of Me is an LP of densely-crafted, emotional electronica. Tracks like ‘It Was Love’ and ‘Flowers Of The Dead Man’ come off like James Blake’s instrumental music if Blake didn’t leave so much space in his sound. Sampled drum breaks, deep-pitched vocals and mournful piano tracks flit around programmed drums and bass that hover between hip-hop, downtempo and Hotflush-era Mount Kimbie. Though vocals are often woven into the fabric of 1954’s sound, there are moments where singers take centre-stage – the neo-soul number ‘Blue Boy’ features a fine turn by Loup Na. – Bleep.
Karuan was born in 1976 in Vienna as the son of Kurdish parents. His love for music arose from the Kurdish singer Şivan Perwer and from the traditional Kurdish celebrations. At the age of six Karuan started to record his singing on cassette tapes. In 1995 he started to work on his own solo projects which were largely inspired by Folk and Black Music. At this time his music was strictly band-oriented. When he began to arrange his songs on the computer it marked a turn towards his becoming more well know as an electronic musician. Today the autodidact Karuan is able to combine and synchronize these various experiences in his own music. The result is an artistic bridge between the oriental culture of his Kurdish family and the European culture in which he lives in. – Last.fm
Afro Funk – South London’s United Vibrations create astral-facing productions that feel as though they ascend into the highest realms. Influenced by funk, afrobeat, and electronica, the four-piece tread the tightrope between Fela Kuti and Sun Ra, and use the profits from their releases to support an initiative to build sustainable eco-homes in their south London borough. Their output is full of good energy and positive messages for the world – Boiler Room
CAMILLA GEORGE (saxophone), SARAH TANDY (keyboards), DANIEL CASIMIR (double bass),and FEMI KOLEOSO (drums). Recorded at The Royal British Legion, Llay, Wrexham (28/02/2017) http://www.northwalesjazz.org.uk/
Jazz – Joe Armon-Jones & Maxwell Owin are forces to be reckoned with. Both integral parts of the burgeoning South London jazz scene, these young musicians contribute to numerous outfits including Ata Kak, Jamie Isaac, MC Pinty, Moses Boyd Exodus and Ezra Collective, as well as pushing their own solo projects.This is their first combined effort. ‘Idiom’ is the result of multiple collaborations under the direction of Joe and Maxwell. Featuring Nubya Garcia, Oscar Jerome and Jake Long, it is heavily influenced by the hardcore continuum and covers everything from 2-step, broken-beat and house to jazz and dub. Having been compared to artists like 4hero, Floating Points, Harvey Sutherland and Moodymann all in the same breath, Joe & Maxwell are already garnering support from Radio 6 Music’s Gilles Peterson, Musica Maconda’s Tim Garcia and Jazz FM’s Chris Philips. This is an accomplished body of work by some of the most exciting young talent in London right now. – Soundcloud
Charlie Stacey, a young genius pianist from London.
Charlie Stacey first discovered the piano at the age of 8 through imitating recordings of boogie-woogie and stride piano he heard on the radio. From there, he continued to listen and imitate obsessively, adding Oscar Peterson, Art Tatum, Keith Jarrett, Sun Ra and Mccoy Tyner to his list of favourites, as the years went on. He became competent at playing with others, as a member of the National Youth Jazz Orchestra and Tomorrow’s Warriors education program. His first major successes were being featured on BBC1’s One Show as a child piano prodigy, age 13, and being awarded a music scholarship to one of England’s best schools. Since his early teens, he has gigged regularly under his own name and with some of England’s best players: with Shane Forbes’ Wave project, The Nathaniel Facey Quartet and Pataruco. He has also had success abroad, as a semifinalist in the Montreux Jazz Festival piano competition in 2012 and a performer at both Nisville Jazz Festival in Serbia, and Chico Freeman’s masterclass in Sofia, Bulgaria the year before. Charlie Stacey, from London, spent a couple of years at Princeton in New Jersey, studying philosophy, but felt the call of music was too great. Since then, his profile on the London scene has been slowly growing, with his recent gig with Marshall Allen and Knoel Scott, representing the summit of his musical career so far. Charlie currently plays with the Knoel Scott Quartet and leads his own outfit, the Charlie Stacey Trio with David Paulis on bass, and drummer Enrico Truzzi. In July 2016, the trio recorded an album in Italy entitled “Metempsychosis”, which they will introduce during a tour in October and November of 2016. Source: Official biography. By Imanuel Marcus, Article is from:
Intuitively Martin Kohlstedt feels his way through this body of wood, felt hammers and steel strings. The young composer, who grew up in the forests of Thuringia, doesn’t just put on an anonymous fingerplay – he perpetually opens himself up with each and every moment, with every stroke of the keys. – Soundcloud
My cousin Sunday was the most brave courageous person I know who sadly recently lost a battle to brain cancer. I made this playlist of soothing calm music for her. This Mother, Singer/Songwriter, Mountain Biker and all around beautiful spirit should inspire us all, and remind us to be grateful for every moment we have. I love you so much sweet cousin and think about you all the time. Here is a link about my amazing cousin. moshttp://www.infocusmagazine.ca/2016/surviving-the-storm/ and a few videos of her music. www.youtube.com/playlist?list=PL0…u_dn4ltwiCUgtjoFN
Still in the developmental stages, and not yet in order, the concept of this playlist is music for a whole day in ones life. The sun rises and the day begins with ambient, chillout and modern classical. Following the sun and its energizing warmth comes the mid tempo afternoon music of pop, rock, and beats, finally filling out the darkness of the evening hours with an assortment of disco, funk, house and techno. 2019 and still very much to do on this one!
Cosmic music by my definition can find a blend of spaced out spaghetti western guitar riffs, slow disco, funk, blues and rock laid over mostly a 4/4 beat hovering around 100bpm.
Ethereal Woman Music – Treetops glisten in the gently descending mist. A harpsichord plays, slightly out of tune. Female voices can be heard through the woods, laughing and singing these songs.