A wide ranging compilation of pop based music covering many tempos, much of it infused with elements of electronica.
Soundcloud Playlist:
Youtube Playlist:
A wide ranging compilation of pop based music covering many tempos, much of it infused with elements of electronica.
Soundcloud Playlist:
Youtube Playlist:
Image: largeplants band@X
What was initially described in 2020 as a solo “post apocalyptic folk-rock” side project with Large Plants has now flowered into something more significant, The Thorn, Sharp’s second release in the space of just 19 months, following on from debut, The Carrier (April 2022), which emerged as a result of a writing frenzy during lockdown. Although the latest release is folkier and proggier in tone than the biker rock of The Carrier, some of the songs on The Thorn were recorded at the same time – in a friend’s dirty metal barn in Bedfordshire – https://www.folkradio.co.uk/2023/11/large-plants-the-thorn-album-review/
Large Plants debut album ‘The Carrier’ is often described as biker rock, but I feel thats an inaccurate label. Personally I love the 70’s nod of nostalgia to bands like Mountain and Wishbone Ash.
Large Plants second album ‘Thorn’.
“Steven Bamidele is a London-based singer, songwriter, and producer. Born in Nigeria, he spent his formative years in Suffolk, before moving to Brighton. This upbringing is reflected in his lyrics, which often explore themes of racial identity, family, and self-reflection.” – https://tru-thoughts.co.uk/artists/steven-bamidele/ share:
A lot of great new music coming out of this genre lately. Heres a wide ranging playlist of whats new in the world of Soul and R&B, as well as a few obscure gems from the past. As is the usual Headstash blend, you will find a lot of standard instrument based music paired with strong electronica influences.
Soundcloud Playlist:
Youtube Playlist:
image: https://colorsxstudios.com/artists/sipho
Unafraid to go from a soulful piano track to laying down vocals over drum and bass, Birminghams Sipho represents the new breed of r&b crossover artists.
“SIPHO. is here to challenge perceptions around Black male identity, artistry and creativity. Here we have a singer-songwriter with the vocal power to garner your attention from the very first note. Lyrically, he’s quirky but smart with it, and while the voice may pack a hearty soul punch, the music defies genre and boxes, drawing on everything from rock and blues to gospel and R&B.” – https://www.complex.com/music/a/chantelle-fiddy/sipho-rising-interview.
Captivating and tender, the German alt-pop duo ÄTNA paint with such broad strokes with their sonic pallet that over the past few years their work has brushed the corridors of jazz, electropop, and neo-classical. Their press release describes them as being ‘like Fever Ray meeting Grimes in London’s grandiose Royal Opera House,’ a portrayal which accurately describes their bold, unorthodox and captivating variation on pop that features piano ballads, epic synth symphonies, and smooth avant-garde R&B alike. (source) https://www.europavox.com/bands/atna/
“After the release of their debut, ‘Desire’, a record of otherworldly club music suffused with erotic vitality, the queer South African artist underwent training as a traditional Nguni spiritual healer, or sangoma, accepting the call from above to serve their earthly and ancestral communities. Their second album, On the Romance of Being, is a collective affair, with Marea stepping out from behind the laptop to front a 13-piece band culled from South Africa’s avant-garde jazz and experimental music scenes. Together, they take a leap from Desire’s digitized churn to swooning orchestral soul, dancing across the divide between flesh and spirit.” – Pitchfork
A third album ‘The Baddies of Isandlwana’ is due Nov.9, 2023.
On the Romance of Being – 2023
This video is a good segue into the second album
Desire – 2020
A sneak peak track from ‘The Baddies of Isandlwana, due Nov 2023. By this account it sounds as bombastic and powerful as anything they’ve put out. Really brings together both energies of the previous 2 albums.
“Formed in Soweto by vocalist and bassist Tata “TNT” Sibeko, guitarist Robert “Doc” Mthalane (described as the Jimi Hendrix of South Africa) and percussionist Oupa Segwai, Kabasa recorded a trio of powerful albums in early-80s Johannesburg. Having been part of the iconic Afro-rock band Harari, the first ever local black pop band to appear on South African TV, Mthalane and Segwai decamped to team up with Sibeko for Kabasa’s eponymous debut in 1980.” Source: https://bbemusic.com/artist/kabasa
https://youtu.be/iBrZJE0sPEc
Image Credit: https://www.cbc.ca/radio/unreserved.
The Winnipeg-bred Indigenous artist IsKwé weaves her cultures in a sound that combines elements of a few different genres. The Cree/Dene and Irish IsKwé wants to shine a light on the violence against Indigenous women in Canada. Horrified by the slaying of 15-year-old Tina Fontaine, and inspired by a community coming together after the tragedy, she wrote Nobody Knows, a song she hopes will encourage women to speak up. Source: https://www.cbc.ca/radio/unreserved/indigenous-artist-iskw%C3%A9-shares-her-inspiration-for-music-1.4123871
3rd album by famous French Beatmaker GUTS.
Image: https://www.economist.com/culture/2022/08/15/danny-elfman-goes-back-to-his-roots
Daniel Robert Elfman, born 1953 is an American film composer, singer and songwriter. He came to prominence as the leader of new wave band Oingo Boingo in the early 1980s. Elfman has frequently worked with directors Tim Burton, Sam Raimi, and Gus Van Sant, contributing music to around 100 movies, including Pee-Wee’s Big Adventure, Batman, Edward Scissorhands, Big Fish, Darkman, A Simple Plan, Spider-Man 1 and 2, Doctor Strange, Good Will Hunting, Milk, all of the Men in Black and Fifty Shades of Grey franchise films, The Nightmare Before Christmas, and all the themes for Desperate Housewives and The Simpsons. After finishing high school early with plans to travel the world, Elfman followed his brother Richard to France, where he performed violin with an avant-garde musical theater group. He then embarked on a ten-month journey through Africa, busking and collecting a range of West African percussion instruments. After returning to LA from Africa in the early 1970s, Elfman was asked by his brother Richard to serve as musical director of his street theatre performance art troupe The Mystic Knights of the Oingo Boingo. Elfman was tasked with adapting and arranging 1920s and 30s jazz and big band music by artists such as Cab Calloway for the ensemble, which consisted of up to 15 performers playing upwards of 30 instruments. He also helped build instruments unique for the group, including an aluminum gamelan, the ‘Schlitz celeste’ made from tuned beer cans, and a “junkyard orchestra” built from car parts and trash cans. The Mystic Knights performed on the street and in nightclubs throughout LA until Dannys brother, Richard left in 1979. Elfman took over the Mystic Knights as lead singer-songwriter in 1979. He pared the group down to eight players to record and tour as a ska-influenced new wave band under the name Oingo Boingo. Their biggest success among eight studio albums was 1985’s Dead Man’s Party. As a teenager, Elfman dated his classmate Kim Gordon, who would later become one of the members of the rock band Sonic Youth. In 2003, he married actress Bridget Fonda. The things I find most impressive about Danny Elfman are how much his already wide sonic palette continues to grow, and that its still happening at 70 years old, and the incredible shape he seems to be in. From 30’s swing to heavy prog rock, this is Danny Elfman.
Amazing theatrical rendition of Minnie The Moocher | 1977 (click Watch on YouTube)
Even before ditching the Mystic Knights part of their name, the Mystic Knights of Oingo Boingo began gradually moving away from their theatrical roots towards a new sound based on elements of ska and new wave
Probably the highest quality live recording of Oingo Boingo in 1985.
Here the crazy part. He’s back, and playing live after 30 years away! This show was October 2022, so that ripped dude covered in tattoos is almost 70 years old!
After 30 years away we can see he has re-emerged in finer form than anyone could imagine. Describing 2021’s ‘Big Mess’, a certain punk legend put it this way: “It’s so compositionally overwhelming and assaultive,” said Henry Rollins who recently played selections from Big Mess on his weekly KCRW radio show. “The lyrics are so smart and bristling. It’s like he’s taken all the skills he’s honed over the decades and weaponized them.” This is the vast musical landscape he not so much travels, but creates in his journey through life.
Rich, warm compositions bursting with blossoming strings, pulsing bass, and haunting vocals fill the catalog of Frameworks, Manchester-based performer and producer Matthew James Brewer. Adding his sophomore LP, KINGS, to his previous two EP’s for Loci Records last year, Brewer has built an arsenal of deeply personal songs that move the body and mind. KINGS featured Ninja Tune’s Jono McCleery, who joins fellow UK standout JP Cooper among the high-profile vocalists who have contributed to the Frameworks project across downtempo, organic house, and subtle hip-hop. His debut album, Tides, released in 2015 by First Word Records first thrust the producer into the international spotlight, granting him a following in the United States. Frameworks has made a splash on the North American festival circuit, performing at Coachella, Electric Forest, Lightning in a Bottle, Camp Bisco, Global Eclipse Gathering, and the 20th anniversary of Shambhala. He’s also toured in Europe alongside Loci Records founder Emancipator. This year, Brewer has been touring the Frameworks live lineup with drummer Cory Eberhard, violinist Jessica Borth, guitarist Gareth Metcalf and bassist Keith Thomas. Taking the Frameworks catalog to new and evocative heights, the live band brings a depth and focus that demands to be experienced. – https://linktr.ee/frameworks_uk
Liam Farrell, aka Doctor L, born Irish, raised Parisian, is a musician, composer and producer with a wide sonic palette, and an impressive score sheet that includes Assassin, FFF, Psycho on Da Bus, Tony Allen, Mbongwana Star, Babani Koné, Nneka, Les Amazones d’Afrique. Some of these videos have great animation, which is always best watched on full screen!
No Prison – Full Album
We Got Lost – Full Album
Image: Real World Records
Little Axes signature gospel dub sound takes you on a haunting and spiritual journey through blues history with a mystical blending of synthetic and organic instrumentation. Which musician has links to The Sugarhill Gang, Grandmaster Flash, Afrika Bambaataa, Lee ‘Scratch’ Perry, James Brown, Robert Plant, Tackhead, and Megadeth? The answer is Skip McDonald, and Skip is Little Axe – Bandcamp
https://youtu.be/sriUwEtgtJk
Image by: https://diymag.com/cover-feature/family-portrait-rina-sawayama-dirty-hit-march-2020
Rina Sawayama is a Japanese–British singer-songwriter, actress and model. Born in Niigata, Japan, she immigrated to London with her parents at age five. In 2017, she self-released her debut extended play, Rina. After signing to Dirty Hit in 2020, she released her debut studio album, Sawayama, to widespread critical acclaim. Her second studio album Hold the Girl was released on 16 September 2022.
.
Alexandra Savior McDermott is an American singer-songwriter originally from Portland, Oregon. She first came to public notice at age 17 in 2012 after being publicly lauded by Courtney Love, who saw a video of Savior performing cover songs that were uploaded on YouTube.
Athens-based musician Σtella returns to her Greek roots on her latest Redinho produced LP, ‘Up and Away’ by bringing bouzouki and other traditional instruments into the mix. The sound is a departure from her earlier electro pop releases. I like the new sound a lot more but included 2 tracks of her older material, mainly to see the transformation she seems to be going through with her music.
her earlier tracks have more of an electro-pop sound
Active since 2008, Budapest, Hungarys The Qualitons music falls in between indie rock, psych rock and folk. A lot of their tracks are over 7 minutes long and include multiple sections.
The full KEXP performance
Elijah Woods x Jamie Fine were a Canadian duo who’s bass heavy urban pop sound belied their humble roots. The pair met in Ottawa in 2014 and began independently producing music together shortly thereafter. In September 2017, the duo competed on the first season of Canadian reality music competition, The Launch, and released the single “Ain’t Easy” through Big Machine Records in January 2018. In November 2020 it is reported that Woods and Fine have parted ways. In November 2020 Woods and Fine parted ways to pursue their individual career paths.
An acoustic track to ease into things….
image: https://www.windycitytimes.com/lgbt/NUNN-ON-ONE-MUSIC-The-portrait-of-Dorian-Electra/68018.html
Dorian Electra (Fridkin Gomberg) is an American singer and songwriter. Electra is known for their non-conforming fashion, queer aesthetics, experimental hyper-pop sound. Their debut studio album, Flamboyant, was released in 2019, followed by their second studio album, My Agenda, in 2020. Their videos are often very sexualized, with impressive production.
The Electric Peanut Butter Company is the brainchild of musicians Adrian Quesada and Shawn Lee. Adrian Quesada is a Grammy Award winning producer and guitarist. Based in Austin, TX, he is best known as a member and producer of psychedelic soul band Black Pumas. Shawn Lee (b1963) is an American musician. His music is jam oriented, taking the listening through groove inspired cosmic spaghetti westerns or plunging them deep into a swampy mire of psychedelic guitar driven beats. As Shawn Lee’s Ping Pong Orchestra, Lee has released 10 albums on US label Ubiquity Records
https://youtu.be/couFTooBkZo
Issued quietly in the dead of 1991, Windows and Light is Suse Milleman’s only album. The synthetic, balearic album “came out of living the experience of having a mother with Alzheimer’s disease,” Milleman recalled. Recorded in her Eugene, Oregon, home on a four track, Windows achieved a remarkably polished sound with the help of producer Patrick J. Miller. Operating under the influence of Odetta, Laura Nyro, and Joni Mitchell, Suse Millemann grew up inspired to sing and play the guitar. Her early life was shaped by older brothers and sisters with records, and her grandmother, an L.A. music agent’s secretary, would send advance copies through the mail before they hit the shops. “To hear and experience that music while growing up in a small town in Southern Oregon was a HUGE gift!” Millemann wrote. – https://numerogroup.com/blogs/stories/suse-millemann-light-and-windows
Matthew Charles Berry (b 1974) is an English actor, comedian, musician and writer. He has appeared in comedy series such as The IT Crowd, Garth Marenghi’s Darkplace, The Mighty Boosh, Snuff Box, and also co-created and starred in the Channel 4 sitcom Toast of London, for which he won the 2015 BAFTA Award for Best Male Performance in a Comedy Programme. He has starred in the FX television series What We Do in the Shadows since 2019. In addition to his acting career, Berry is a prolific musician and has released nine studio albums. His most recent, The Blue Elephant, was released in May 2021.
Solstice is the kind of prog track that sounds like it came out 40 years ago. Nearly 10 minutes of bliss, divided into distinct parts, beginning with a creepy organ section that waves of cymbals slowly carry into a astral new age groove, with the last third
Kayam are siblings Mike and Kim Rauss, playing what they affectionately label Falafel Pop: a fusion of the genres they enjoy, a near obsession for chickpeas and much love. The siblings had a cross-cultural upbringing, living at various stages in England, Germany and Israel, and the wanderlust they experienced in their early years has no doubt left an impression on their approach to music making and live performance.Kim sings and plays the Celtic Harp while Mike plays guitar, sings and builds the loops with guitar, percussion, and the occasional beatboxing. https://www.kayamband.com/
Mike Rauss makes live looping seem effortless, this time with a reggae tune that just makes you smile
An infectious slow house pop groove to this track by KAYAM
Tenerife – If I knew what Middle Eastern blues sounded like I would think it sounds like this
‘Joy’ is another great acoustic reggae looping performance.
Emma Ruth Rundle (b 1983) is an American singer-songwriter, guitarist and visual artist based in Portland, Oregon. Formerly of the Nocturnes, she has released four solo albums and is a member of Red Sparowes and Marriages. Her music is very Pacific Northwest, reminiscent of Chelsea Wolfes gloomy folk rock.
Winer began her career as a fashion model in the early 1980s after moving to New York City from Massachusetts to attend the School of Visual Arts. Designer Jean-Paul Gaultier described Winer as “the first androgynous model. She lived with American artist Jean-Michel Basquiat during her early career. Before modelling Winer met William S. Burroughs in the late ’70s and credits him with being a major mentor. Burroughs mentions his friendship with Winer in a number of interviews and books with French journalist Alain Pacadis and Burroughs’ own last book Last Words: The Final Journals of William S. Burroughs. After her work brought her to London in the mid-1980s, she spent a great deal of time at Leigh Bowery’s nightclub, Taboo. It was while in London she met musicians Jah Wobble, who was a former bassist for Public Image Ltd, and Kevin Mooney, former bass player for Adam and the Ants. In 1987, she would co-write the track “Just Call Me Joe” with Sinéad O’Connor. The song would appear on O’Connor’s debut album The Lion and the Cobra, with Winer performing the backup spoken vocal. With Wobble and Mooney, she would record the album Witch in 1990. She had previously recorded a couple of 12″ singles under the name ‘©’ along with co-writer Karl Bonnie from Renegade Soundwave. She has also worked with Grace Jones. Winer was born to a teenager and handed over to her adoptive grandmother in a hospital parking lot in what was an illegal adoption involving the exchange of money.- Wikipedia
“Leslie Winer is a bit of a mystery. Before working as a well-known fashion model in New York, where she got a reputation for being “difficult to work with”, she met William Burroughs and Jean-Michel Basquiat, dropped out of the scene, and produced “Witch”, prescient album (called the grandmother of trip hop by NME). Then she seemingly disappeared off the face of the earth, only to occasionally resurface doing vocals for artists like Bomb The Bass and Mekon.” – Discogs
“Musician, poet, and author Leslie Winer lives in the rural French countryside, an unassuming and almost nomadic life that gives away little of her fascinating, hidden legacy. Several memorable nuggets of trivia have long circulated about Winer: that she was the “first anondrogynous supermodel” and muse of Jean-Paul Gauthier; that she was “the Grandmother of Trip-Hop,” and an associate of William S. Burroughs. Though she has long been a name on the shelves of dedicated record collectors, Winer has kept a low profile. Her first album, Witch was recorded in London in the late ‘80s, where fashion and music intersected fluidly. Winer shared circles and studio time with musicians such as PiL bassist Jah Wobble as well as Kevin Mooney of Adam and The Ants.” Bandcamp
Image: Discogs
Sleepy Sun is an American psychedelic rock band, formed in 2005 in Santa Cruz, and now based in San Francisco. They have a very throwback sound of wailing blues rock and acid tinged psych folk
A great video of the band in action.
Bamba Quere
Don’t Fake It
Azucar
Loco’s Lament
Soul Food Taqueria (Full Album)
From the Soil to the Soul (Full Album)
Loose Grooves and Bastard Blues – Full Album
His latest Jan 2021 release, Sunshine
Lots of jazzy jams on this 25 track playlist
An energetic playlist I made for my cousins bike shop.
An ever growing playlist of uplifting tunes to raise peoples spirits as we try and get through these strange times we find ourselves in. There are many different types of music on here, Rock, House, Funk, World Beat, Hip Hop, Latin..pretty much whatever has a good beat and a positive vibe.
Image: NME Magazine https://www.nme.com/features/music-interviews/billy-nomates-interview-tor-maries-radar-2708995
As fierce of a lioness as they come, UK’s Billy Nomates is a surely a force to be reckoned with, and she has no problem saying NO to the YES men; in fact she thrives on it. Her music has a post punk/wave feel, with an edginess that alludes to the molten fire in her belly. Snarling, almost spoken word verses that lead into catchy chorus’s that you just want to play over and over.. love her.
such a great chorus, love the slidey guitar second time around.
Image by: https://www.pinterest.ca/pin/543598617528098747/
“South Londoner Greentea Peng vibrates a little differently from the rest of us, literally – her debut album was purposely recorded at 432Hz (and not the industry standard 440) because of the frequency’s much-discussed soothing properties. Within the album lies a hazy miasma of jazz, righteous reggae, easy-going hip-hop and vintage neo-soul in which the echo effects of dub and the swirl of psychedelia hand off to skitters of drum’n’bass. “Krishna and Jah” keep watch over the recording studio.” – The Guardian
Full Album. Click top right corner to expand.
https://www.youtube.com/playlist?list=PLfiMjLyNWxeZNgH8i9QpVGUNC1nBixGXS
John Grant has announced news of his fifth solo album, Boy From Michigan, released June 25th 2021 via Bella Union in the UK/Europe and Partisan in the US. To celebrate the occasion Grant has shared an astonishing acid-soaked video to the album’s title track.
Brilliant music video to go with this classic Murlocs track
“Formed in 1971, DEATH were a trio of Detroit-based, African-American brothers who temporarily set aside their Motown roots for steam-rolling proto-punk after checking out an Alice Cooper concert– had their chops down pat. During their original, five-year lifespan, Death didn’t make many waves. A self-released 7”-single, “Keep on Knocking” b/w “Politicians in My Eyes”, was the group’s only official release. It quickly faded into the record collector-ether. But listening now, the music sounds visionary– a missing link between MC5 and the hardcore punk of the early 1980s. The songs are performed at blistering speed, burbling over with bad attitude.” Pitchfork
Politicians in my Eyes Live
Album version is a lot faster – 1975
Amazing laidback rework by Black Pumas
A great documentary of the band, and their roots.
Image: https://www.alternativeclassical.co.uk/interviews/ayanna-witter-johnson
Ayanna Witter-Johnson is an English composer, singer, songwriter and classically trained cellist, but her music is anything but traditional. Performing both classical and contemporary music – she sings while accompanying herself on the cello and has described her song-writing style as “a bit of soul, hip-hop and reggae” Best experienced in full screen, found in the bottom right corner of the video.
An amazing solo cello cover of the Police classic, Roxanne
Psychedelic shenanigans ensue when The Phantom Band – who let’s face it, are not known for their retiring attitude to performance – don the face paint, tights and some fairly outlandish costumes in a visual accompaniment for their latest single ‘Everybody Knows It’s True’.
Shortlisted – Best Music Video 2016 British Animation Awards
From United Vibrations album “The Myth Of The Golden Ratio”.
‘The Station’, from Oneohtrix Point Never’s new album ‘Age Of’. Video directed and animated by Daylen Seu.
Image: Bandcamp
“Providing the world with music that takes the listener to places beyond their audio system. Creator of deep, electronic and slow house. Head honcho at Dansen onder de Sterren parties. Graphic designer. Dad. Husband. Thomas was caught by the enchantment of music since the very beginning. Working as a graphic designer for 16 years, it felt natural to step into the world of sound design. Although not married to a specific genre, his style touches elements of deep, melodic and tribal. He produces different sounds for different occasions, mostly by himself, sometimes joining forces with other musicians.
And with success: his first solo EP, titled Athinouk, was released on Tropical Twista Records in May 2016. More releases appeared on Amsterdam based Phat Elephant Recordings, Sol Selectas, Cosmic Awakenings and many other respected labels.” Resident Advisor
Audiophysical is Andre Lamb, New Zealand born Vancouver, BC based multi instrumentalist, producer and visual artist. Lambs deep sound fuses genres like Blues, Reggae, Jazz, Funk and Folk into grooves that roll along like fog through the streets. He plays all the instruments, but his trumpet playing is what stands out for me. A couple tracks have definite whispers of Miles Davis.
Image: Sacred Bones Records
Caleb Landry Jones, born 1989, is an American actor and musician, known for his roles as Banshee in X-Men: First Class, Jeremy Armitage in Get Out , Red Welby in Three Billboards Outside Ebbing, Missouri (2017), and Ty Carter in The Outpost. Music critic Timothy Monger wrote that Jones, on the album, “unleashed what sounds like a lifetime’s worth of ideas and pent-up weirdness, constructing a wild suite of interconnected songs, replete with lurching orchestral sections and harsh fuzzy textures and sung in a variety of different voices and timbres like a character actor gone off the rails.” Monger also declared the album unpredictable and praised the production, while at the same time stating that the album lacks memorable songs. Caroline Edwards of Clash gave the album a positive review, writing that it’s “unlike anything else out in music right now.” Wikipedia
Mary Timony (b1970) is an American independent singer-songwriter, guitarist, keyboardist, and violist. She has been a member of the bands Helium, Autoclave and Wild Flag, and currently fronts Ex Hex. Timony’s music is often heavy and dark, frequently using drones, beats, and modal melodies reminiscent of European Medieval music. She uses a number of alternate guitar tunings, most prominent of which is DADGAE. Her unique style has been cited as an influence amongst well respected and admired musicians such as Carrie Brownstein of Sleater-Kinney, Sadie Dupuis of Speedy Ortiz and many more. -Wikipedia
we may bicker and fight
but there really is no left and right.
cause were so much more than black and white
were all on the same bus,
not you, not me, but us.
i walk through the forest on my tip toes
In one hand a sword the other a rose
for no one knows the river like I do
no one slips through the glistening ferns
so true can you feel the vibe
feel myself blending
into another tribe
let loose
but the smoke still lingers
running my fingers through the tall grass
everything we pass
comes back around
we follow the sky
back to the ground
New York
I want to live in New York City
I want to jog along a grey river
under a grey sky
and love no one
i want live in a box up in the air
and look out at the rain against the window
and feel nothing
i will only wear white clothes
and keep my hair short
and my body fit
I will own a small clean pet
i will be content
suspended in a matrix of crackling wires
the honk of horns and the squeal of tires
the sparks of light that fly from it all
buildings are like trees that cannot fall
I follow the path along the riverbank
under the bridge of living ghosts
lost in a crystal maze
I can see it, but I feel no pain
for the broken machines all around
some people don’t want to be found
don’t want to see the clouds disappear
sometimes I can feel the city
a hungry animal that eats its young
whos faces sprout up years later
on the heads of flowers
that line the banks of the Hudson River
the evening sun still echoing off their skin
golden shards slicing the water
hands like cups
hold the things they never owned
finding their own path home
Image: The Vinyl Factory
Active since the early 80’s, Charles Webster is a British electronic music producer and DJ who specializes in producing house music, amongst several other genres, including downtempo and jazz. He has recorded under his own name as well as under a series of aliases including Presence, Furry Phreaks, and Love From San Francisco, and in collaboration with several other artists. Wikipedia
https://youtu.be/XQ4VCYu2j54
Image: Mutek
https://youtu.be/-CjMUPFBs5w
Dominique Fils-Aimé is an incredible new talent from Montreal whose music brings together jazz, soul and r&b. In 2018 she released Nameless, her debut album which explored blues music as the first installment in a trilogy devoted to the history of African-American music
https://youtu.be/PxsfzsfcfI4
There are two very different sounding segments to this piece. The first is about Peter Ivers and his music, and the second contains vintage footage from his time as host of 80’s new wave/punk show New Wave Theatre. The shows usually started with a cosmically stoned, but brilliant ramble by Ivers about society and utopian visions, followed by some amazing old footage of early 80’s LA punk and new wave bands.
Peter Ivers was an American musician, songwriter and television personality born in 1946. He grew up in Brookline, MA and attended Harvard University in the second half of the ’60s. A research study at the school revealed he had a genius-level IQ, but much to his money minded father’s chagrin Ivers was mostly interested in music, banging around Boston, playing with rock bands and jamming with touring bluesmen, reportedly even earning the admiration of Muddy Waters. He moved to L.A. in 1971, where at first he lived in the Tropicana, a notoriously sleazy West Hollywood rock ‘n’ roll hotel now famous for hosting the likes of Jim Morrison and Tom Waits. He worked on film scores at the American Film Institute, where he befriended the young, aspiring director David Lynch. Lynch was in the early stages of creating Eraserhead, and he asked Ivers to provide music and vocals for the Lady in the Radiator scene. His music is kind of art glam rock, but more experimental. He was the host of the experimental music television show New Wave Theatre, but never achieved mainstream success. Ivers was signed by Van Dyke Parks and Lenny Waronker to a $100,000 contract as a solo artist with Warner Bros. Records in the early 1970s; his albums Terminal Love and Peter Ivers were commercial flops, but would eventually come to be well-regarded by music journalists. On March 3, 1983, Peter Ivers was found bludgeoned to death with a hammer in his Los Angeles loft space apartment. The murderer was never identified. Here are some singles I like. below them is some incredible early LA punk/ new wave footage from New Wave Theatre. Ivers usually opens each episode with a captivatingly brilliant monologue.
The change ups on this track are awesome, as well as some great saxophone playing
Peter Ivers instrument was the harmonica which he plays here
Heres where it gets fun! The following videos are from episodes of the New Wave Theatre shows. They usually start with some sort of glam tinged cosmic, yet brilliant ramble by Ivers about society and utopian visions, followed by some amazing footage of early 80’s LA punk and new wave bands, and then usually some sort of hilarious outro as well by Ivers.
it is autumn in the valley of the conifers
the forest floor is sprinkled with rust
like a universe someone forgot
broken chains of nature
line the roads that lead us
to a signal burning deep in the night
it always tells us to stay in this fight
Image: V2 Records
Don’t forget to click full screen, it greatly amplifies the experience!
Fantastic Negrito (Xavier Amin Dphrepaulezz, born 1968) the incarnation of a musician who is reborn after going through a lot of awful shit. In fact, the name Fantastic Negrito represents his third rebirth, literally coming back from death this time. The narrative on this man is as important as the sound, because the narrative is the sound. Songs born from a long hard life channeled through black roots music. Slide guitar, drums, piano. Urgent, desperate, edgy. Fantastic Negrito is the story of a man who struggled to “make it”, who “got it”, who lost it all, and somehow managed to find his way back. Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, he was hit with an intense culture shock. He went from Arab chants to Funkadelic in one day, living in the heart of one of the wildest, most infamous, most vibrant black communities in the nation. Shit was extra real in Oakland. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, but he was also caught up in street shit.
This went on for several years until a near death encounter with masked gunmen. After that, Negrito packed his bags and headed to LA, armed with a demo on cassette. It didn’t take long for Negrito to find himself entrenched in the Hollywood lifestyle; “clubs and bitches and bullshit politics that have nothing to do with great music.” Negrito signed a million dollar deal at Interscope, and soon after that, creative death.The record deal was a disaster. Gangsta rap ruled the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. He was infected by the constant emphasis on ‘what would sell’; which looks, hooks and gimmicks would attract an audience. He lost all sense of himself. The songs stopped coming to him, so he sold all his shit and quit.
In 1999, Negrito was in a near fatal car accident that left him in a coma. His muscles atrophied while bedridden and he had to go through months of gruelling physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Though he rehabbed intensely for several years, the damage was permanent. In 2009 he released his debut full-length album The Last Days of Oakland, which was immediately met with critical acclaim. Negrito’s music also caught the attention of Chris Cornell, who invited Negrito to tour with him, first in Europe, then North America, and finally with Cornell’s legendary supergroup Temple of the Dog. The unconventional pairing won over fans and critics everywhere. From there Negrito went on to play major festivals and tour extensively throughout Europe and North America. But none of this has been about awards or acclaim or validation. Negrito chased those before — and it nearly killed him.
Now, as he looks around, sees the world going on a similar journey…especially America. This is a man who knows what it looks like to drive off a cliff. “As a society we are so divided, we are so entrenched in our ideology, we won’t budge for common sense,” says Negrito. “We worship celebrities and billionaires, while people work harder than they ever worked, and make less money. Our children are being gunned down in school shootings and we seem numb to it! We’ve got militarized police shooting first instead of protecting and serving. Nazis in the streets. Families torn apart by deportation. A tiny 1% getting richer while people sleep underneath freeways and overpasses in my hometown of Oakland. Home ownership and education seem out of reach. This is not the American Dream.” America has lost its way, and now we are paying the price. Fantastic Negrito’s new album, Please Don’t Be Dead, is about what comes next. – Bio from Fantastic Negrito homepage
Fantastic Negritos debut full-length album, The Last Days of Oakland
https://youtu.be/HahZvGaaWHU
2022’s White Jesus Black Problems
Reissue from this underrated Soul-Jazz album, produced and released in 1981. Twylyte ’81 was a 3 pieces band composed of Frank Jones Jr., Alfred Brown Jr. and John Belzaguy, who, except for John, have never recorded anything else than this incredible album. These guys were only 18 at the time of recording this album. Notable are the spiritual vocals, bass guitar work, and piano solos
From 2 minutes on, this spiritually moving track is pretty much one long bass solo
“The members of Ghetto Kumbé fuse traditional Afro-Colombian percussion with intense electronic beats and samples. They have a particularly strong band aesthetic: neon tribal masks and outfits are a particular standout of their intense live show” – theculturetrip.com
Conceived in 1993, Pickin’ On is a series of rock and country tribute albums performed in a bluegrass style. Incredibly they have released over 100 full length bluegrass tribute albums covering the biggest names in music. There are hundreds of their videos you can find on Youtube but here are a few that I like.
Image: www.economist.com
Joan Wasser (b1970), known by her stage name Joan As Police Woman, is an American musician, singer-songwriter and producer. She began her career playing violin with the Dambuilders and played with Black Beetle, Antony and the Johnsons, and Those Bastard Souls. Since 2004 she has released her solo material as Joan As Police Woman. She has released five regular studio albums, one EP, a number of singles and a collection of covers. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger – Wiki
A hilariously entertaining video to accompany what I feel is her best song. For all videos I recommend watching in full screen, bottom right corner.
Moving on from these fun pop oriented songs, her sound takes a definite step down in tempo with this amazing deep and drifting alt folk track.
The Deep Field album
Real Life Album
‘Eccentric soul and lost funk recordings from an unlikely crew of Los Angeles musical misfits – one of the finest and deepest examples of Los Angeles soul in the 1970s. At its core, the 4th Coming was a songwriting duo – Porter and Jechonias “Jack” S. Williams – and a rotating cast of musicians – including members of lauded Los Angeles funk ensemble the Watts 103rd St. Rhythm Band – that Williams assembled at Artist Recording Studio to realize the pair’s ideas. They existed only from the latter half of 1969 until 1974; during that time they issued eight singles as 4th Coming.” -rappcats.com
Image: https://meettheartist.online/2018/11/21/lambert-pianist/
Great animation in this music video for Didn’t Work Out, by We Will Fail, taken from the Hand that heals / Hand that bites album.
Image: Light in the Attic Records
New Beginnings failed to propel Larry Jon to even the relatively modest cult acclaim enjoyed by his likeminded contemporaries. And some of the frustration this conjured can be heard on 1976′s Let Me Sing My Song To You. Both the title track and the self-deprecating “Drowning in the Mainstream” speak of Wilson’s hope to inch at least a few steps towards the big time without making too many compromises. Any album containing the likes of the heartfelt, deeply beautiful tribute of “Ballad of Handy Mackey” and the superlative country-gothic funk opus ‘Sheldon Churchyard’ – the lead track from the lauded Country Got Soul compilation – must rank as essential listening. – Be With Records
Ofege was formed in the early 1970s by a bunch of teenage hippies at the prestigious St. Gregory’s Catholic School in the Obalende area of Lagos Nigeria. Singing much of their songs in English, Ofege was largely influenced by the guitar solos of Carlos Santana, Jeff Beck, Jimmy Page, Francis Rossi, and the criss-cross rhythms of Osibisa. – Discogs
Here are a few cuts
Austin, Texas-based, nine-piece Latin funk purveyors Brownout released Brownout Presents Brown Sabbath, Vol. II in 2016 via Ubiquity Records, a latin, horn tinged version of classic Sabbath songs.
The full album
YĪN YĪN is a jam-packed romp of South East Asian psych pop, Anatolian rock, funk, disco grooves and electronic music.
Good quality live recording
winter has come early to the high desert
as I ride a 1948 Black Shadow through mesa country.
a dusting of fresh snow has settled
on this two lane highway to anywhere
a pale sun is propped up by honeycombs of expiring crystal
along the edge of the road dried seeds and animal bones
tumble into one another
in a mutually gratifying cycle older than man himself.
all around me the sky is filled with red iron clouds,
they are snagged on saguaro cactus,
their pastel oxide bleeds into the atmosphere
as they tug free and continue drifting
across the glassy lens of the earth.
out in space the stars move into formation
the outline of my spirit animal guiding me through my falls.
but this is the place, out here on the open road,
this is where you find your Juliette Lewis,
your long legged carnival gypsy with the turquoise bandana.
where your job, your asshole boss, and your screaming kids
and my god, all those bills, all quietly fade into the crisp desert air.
the sun has dropped behind the mountains
a housewife is standing on the porch.
he was a horrible father, she mutters to the kids,
re-ties her housecoat and shuffles them back inside.
the road makes everything numb, it makes other pain bearable.
but soon deep cold sets in, so I pull over and make a fire,
the juniper smoke filling my senses, swirling together
I lean back against a boulder,
wrapped in a Plains Indian blanket from Crazy Crow Traders
and stare deep into the embers for some sort of sign,
a bottle of whisky slowly sliding from my hand.
I don’t know how much time has passed
but I wake up cold, in the pale light of dawn.
I look over and see doll parts strewn across the road,
a turquoise bandana hangs from the handlebars of my motorcycle.
a cold wind pours in from the east
quickly blowing away the ashes
and the gravel eyed savages which follow me in my dreams
I shake myself awake and stumble to my feet
pulling my jacket tightly around my chest.
lifting a leg over my bike,
I give it a good kick as it roars to life,
and like the high plains drifter that I am, I just keep riding.
purple gas streams from my tailpipe up into the eternal.
esoteric thoughts whistle through my mind
as I ride down a road through space and time
I look in my mirror
and see the fire burning behind me
and hope to god those devils will never find me
on the weekend I hear people racing out on the highway
I keep telling myself they have ordinary lives
that they live and work in boxes
but i can see the flames from the tailpipes light up the sky
i can hear those V8 engines revving high
pushing the needle far to the right
smoke and purple gas illuminate the night
emanating liquor and a checkered past
the smell of burning rubber by the underpass
we all leave a trail of black smoke everywhere we go
spinning our tires, lost in the afterglow
driving backwards down the wrong road
flying past the stars
flash like the lights of oncoming cars
galactic atom smashers
the back to the cave party crashers
dancing in a dust of plastic and metal
two hands clasped, white like our bones
high five as we nose dive
in the sweetest ride we’ve ever known
its time let go of the star wheel
its time to travel by feel
out on the promenade
life is just a drive through
I tell myself the star racers will die in boxes too
With powerhouse production trio Organized Noize, Sleepy Brown orchestrated Atlanta’s hallmark sound of the 90s; his slow-cooked southern-fried G-Funk providing hits for TLC, Outkast and Goodie Mob. However, by 1998 his desire was to take centre stage. The dizzying result was Sleepy’s Theme and their wonderful throwback LP, The Vinyl Room. Their vintage, 70s soul-steeped magnum opus was promptly passed on by Jimmy Iovine at Interscope, released only on CD on a limited scale, and mostly slept on. Blending organic instrumentation from one of the tightest, greasiest, yet sophisticated bands in the land, The Vinyl Room presented dreamy melodies, warm synth textures, stately horns and wayward beats. Brown conceived his “garage funk band” as adhering to the sonic touchstones of Blaxploitation and he achieved it. Featuring keyboardist/singer Eddie Stokes, drummer Victor Rico Cortez, guitarist Bill Odum, vocalist Keisha Jackson and the late Pimp C, the sound was always going to be in the pocket. While it eschewed contemporary trends, the underground sound was nevertheless fresh and grounded in the hat-tip spirit of hip-hop. With Sleepy bragging that there were no samples, The Vinyl Room comprised a richly textured, mesmerizing and confident sound where the recurring themes were women, cars and weed. As he explained, “the music of the 70s wasn’t computerized, it was just realness from the heart and that’s what we captured.” Indeed, Brown wasn’t just inspired by bygone funk; he grew-up in it. As a boy, he travelled to gigs with his music playing father and founder of the legendary Brick: Jimmy Brown. The album lopes at a weed-stoned pace, with sweet falsetto leads, spoken word raps and honey-coated female background vocals with just enough superfly sensibility to give you a contact high. The luscious bass grooves, silk-soft cymbal pats, raindrop-drowsy keyboards and country-fried wah-wah guitar licks conjure Bobby Womack in the lab with Marley Marl, Isaac Hayes laced by Dr. Dre or Curtis Mayfield bring introduced to DJ Quik. – Be With Records
Sleepy’s Theme | The Vinyl Room | double LP
Betty (Mabry) Davis, b1945, is an American funk and soul singer who grew up in North Carolina, spending time on her grandmother’s farm listening to B.B. King, Jimmy Reed, and Elmore James. At age 16 she left Pittsburgh for New York City, enrolling at the Fashion Institute of Technology while living with her aunt. She soaked up the Greenwich Village culture and folk music of the early 1960s. She associated herself with frequenters of the Cellar, a hip uptown club where young and stylish people congregated. It was a multiracial, artsy crowd of models, design students, actors, and singers. At the Cellar she played records and chatted people up. She also worked as a model, appearing in photo spreads in Seventeen, Ebony and Glamour. In her time in New York, she met several musicians including Jimi Hendrix and Sly Stone. Her first professional gig was not until she wrote “Uptown (to Harlem)” for the Chambers Brothers. Their 1967 album was a major success, but Betty was focusing on her modelling career. She was successful as a model but felt bored by the work. According to Oliver Wang’s They Say I’m Different liner notes, she said, “I didn’t like modelling because you didn’t need brains to do it. It’s only going to last as long as you look good.” As a model in 1966, Betty first met jazz musician Miles Davis who was 19 years her senior at a concert. Betty began dating Miles in early 1968, and were married in September 1968. In just one year of marriage, she influenced him greatly by introducing him to the fashions and the new popular music trends of the era. In his autobiography, Miles credited Betty with helping to plant the seeds of his future musical explorations by introducing the trumpeter to Jimi Hendrix and funk innovator Sly Stone. The Miles Davis album Filles de Kilimanjaro (1968) includes a song named after her and her photo on the front cover. In his autobiography, Miles said Betty was “too young and wild,” and accused her of having an affair with Jimi Hendrix which hastened the end of their marriage. Betty denied the affair stating, “I was so angry with Miles when he wrote that. It was disrespectful to Jimi and to me. Miles and I broke up because of his violent temper.” After accusing her of adultery, he filed for divorce in 1969. Miles said that the divorce was obtained on a “temperament” charge. He added, “I’m just not the kind of cat to be married.” Betty and Miles continued to see each other after their divorce. Hendrix and Miles remained close, planning to record, until Hendrix’s death. The influence of Hendrix and especially Sly Stone on Miles Davis was obvious on the album Bitches Brew (1970), which ushered in the era of jazz fusion. The origin of the album’s title is unknown, but some believe Miles was subtly paying tribute to Betty and her girlfriends. In fact, it is said that he originally wanted to call the album Witches Brew—it was Betty who convinced him to change it. In 2017, a documentary was released entitled Betty: They Say I’m Different. -edited from Wikipedia link
Full Albums
Not to be confused with dubstep, these steppers are the faster dub tracks from my dub/reggae playlist
Other Lives, an Oklahoma band fronted by Jesse Tabish, are returning with new album For Their Love. “The album is a record reflecting human feeling in the current state of affairs — economy and politics on the individual, while the latter still has to deal with the basic struggles of finding meaning of their existence,” says Tabish. “Money, love, and death are always real and hard to cope with: what does the individual choose to make these larger themes of life easier to deal with? The record speaks in realness, questions, observing, lamenting and hopefully finding the slightest of hope in themselves, these characters sometimes venturing out into spiritual, religious or institutionalized endeavors. In my personal hope, only finding their self-worth is more important than anything that has been taught or preached to them.”
This is a really cool video with great animation. best enjoyed on full screen!
Image: https://soundcloud.com/morennomongelos/latin-house
Some of the more uptempo tracks from my Latin category.
Jackie Venson is a singer-songwriter and guitarist from Austin, Texas. A ferocious young guitar player just who isn’t afraid to drop the odd reggae tune, her smile and positive energy on stage is hard not to fall in love with. Obsessed with music from an early age, Venson immersed herself in its study, attending the Berklee College of Music to practice classical piano. However, it wasn’t until she switched to the electric guitar, that her long-simmering passion for emotive live performance was realized. Abandoning the straight-laced world of classical for the raw power of blues and soul, Venson has since been tirelessly honing her skills into an intoxicating amalgam of Blues, Rock, R&B and Soul with deeply heartfelt lyrics.
some great solo work around the 3 minute mark..
Check out her Youtube Channel for all her other videos. Jackie Evens.
image: supermassiveshop.com
Will Evans has spent the last decade as the primary songwriter and frontman for the New England based Roots Rock outfit Barefoot Truth. After four albums he embarked on his solo journey – and has since released three additional full-length albums. His most recent album “Rise” features deeply personal topics of humanity, compassion, and a reflection of the current political times. A lifelong surfer and environmentalist, his songs speak to the importance of connecting with and protecting the earth. At a time when many are looking for words of inspiration and reassurance, “Rise” delivers a collection of socially conscious songs filled with messages of love, possibility, and inclusion. In his live performances, Will displays a technical mastery of live-looping skills to showcase his background in percussion mixed with layers of acoustic guitar and soulful vocals. Will has shared the stage with many top artists including Crosby & Nash, Grace Potter, Bruce Hornsby, Rusted Root, Michael Franti & Spearhead, Trevor Hall, Nahko, Xavier Rudd, Donavon Frankenreiter, Ryan Montbleau, Railroad Earth and members of Dispatch.
Will Evans has spent the last decade as the primary songwriter and frontman for the New England based Roots Rock outfit Barefoot Truth. After four albums he embarked on his solo journey – and has since released three additional full-length albums and toured extensively. His most recent album “Rise” features deeply personal topics of humanity, compassion, and a reflection of the current political times. A lifelong surfer and environmentalist, his songs speak to the importance of connecting with and protecting the earth. In his live performances, Will displays a technical mastery of live-looping skills to showcase his background in percussion mixed with layers of acoustic guitar and soulful vocals. Will has shared the stage with many top artists including Crosby & Nash, Grace Potter, Bruce Hornsby, Rusted Root, Michael Franti & Spearhead, Trevor Hall, Nahko, Xavier Rudd, Donavon Frankenreiter, Ryan Montbleau, Railroad Earth and members of Dispatch. - willevans.com/bio/
Soul funk group Sons Of Slum hailed from Chicago and were formed by founding members Maurice Bell and Daktori while at college in 1962.
Image: The Monitors
Formed in the early 80’s, the UK’s Maximum Joy are a dubbed out, horn forward group that mix punk, funk, disco, and reggae, all contained by tight, ropey bass lines. Produced by the legendary Adrian Sherwood. His hand is evident in the sound, that is both loose and technically on point.
Im living half in the spirit world
I realized it a long time ago
looking back I could see the moss grow
through the mist
over mountains of snow
I kept these arrows, this broken bow
a sword seller
peddles his metal
but I drift by unseen
obscured by the fog and the dream
this assortment of visions
that shriek through the night
like kites behind me
tumbling in and out of each other
like sparrows, they darken the autumn sky.
I love the magic in my mind
the worlds I can fly to, and leave behind
but it never stops the craving
for the friend I’ll never find.
we lost each other as children do
a mile became ten
and then, a hundred
I counted the distance
the path now filled with leaves
like symbols of the bond we shared
swimming at the lake
hot summer hair
i wrote it all down
even back then
i could feel the change
changes we must make
when we feel we cannot breathe
so when dark clouds rolled in
it may have just been me
building a storm to break the ropes
that anchored me to this silly world
for so long I have sought connections that were pure energy
sticky plasma threads
with no vessel to distort their meanings
i wish to interact like the earth and rain
i am mesmerized by its inky legs streaming down from the skies
the interplay with the forest
as animals seek shelter
slipping through glistening ferns
back to their dry dens
so i hang here in the mist,
this island child, kissed by danger
on a path that wanders
past strangers that no one else can see
my atomic structure dries with the passage of time
my bones break down and become lighter
and one day the world will close it eyes on me
but on a stormy night look out your window.
and you might see
a blonde haired boy way up in the trees
riding in the wind, a keeper of keys
Dance of the Gypsies 2017 (Dedicated to Sunday Dennis, Gemma Higgins and Dazy Drake, 3 beautiful souls gone too soon)
the voices are a little softer
the trails a little quieter this summer
in this particular place
the shady east side of Vancouver Island
and the mossy rocks in between
that despite the cruel winds of fate
still sparkle as they crack
three beautiful gypsies danced their last dance
now a banjo plays by itself
a glass of wine is lifted from a beach wood coffee table
a hand with no body draws a picture of petals
falling from a flower
they are like memories, caught on a summer breeze
drifting down onto the forest floor
i try to catch them, like it could bring you back.
animals lead me to a place deep in the woods
where huckleberries ripen in the filtered light
somewhere you loved to go when you were strong
there used to be more sun when you were here
or maybe the trees have grown
but I will safeguard this space for you
I will come to appreciate
the dry fir needles stuck under my shirt
because it is nothing
like the changing seasons
that always return
I will too, and we will learn
to laugh again, to forget the pain
and the distance between us
I saw you standing in the moonlight
watched as you climbed out the bedroom window
you dipped your foot in the starry sky
before anyone could stop you
or say goodbye,
but i try to find my own way to honour your spirit
i climb a trail up to the bluffs
and look down the coastline
i imagine you taking a new form
swimming with whales in the blue water
creeping up the straight
already deep in the mystery
I thought I felt your presence early one morning
i walked out to the garden and saw footsteps in the dew
the wind was blowing the leaves from the trees
but this time
this time I did not try and pick them up
I made no attempt to hold onto the final moments
you were pulled apart too soon
I could see that
you were still standing
in the light of the moon
dancing on a silver thread
you turned your head my way
one last time
and laughed your special laugh
just for me
soar free soar high
sweet children of the sky
down here below
we burn a fire and let you go
I love this town when the sun goes down
I love long shadows
and the golden light reflecting off windows
you don’t see that at noon
I love the way the people move
the spice of evening air
following them as they walk past cafes
they walk through a haze of rising smoke
and bricks that fade and crack
as people keep walking past
a child grows old and dies
a tree loses its leaves
everything always changes
around the light
Just a rap Im working on..
I came down from the sky
my birth was monumental
earth shattering, like lava from a vent hole
I wasn’t planned but nothing’s accidental
beauty comes from strife
lean in and let the wind blow
let this whole universe tear me apart
true lessons come from the heart
towards the sunrise I’m still standing
sometimes falling but landing on my feet
I walk these tired streets
unknown to the unknown
still soul searching
don’t know when I’ll come home
the dreams of last night are still tangled in my hair
but they are disappearing like a blue crystal
that melts as the minutes pass
I roll over, trying to find that place
but like lambs in a spring meadow
they have slipped into the wilderness
I always wake up here
under the waterfall
hands reaching out through the mist
I walk back through the forest
but only weeds cling to my feet
the flowers fade in the sun
seeds crack in the morning heat
and a new dream has begun
I had this funky beat in my head last night and decided to write some lyrics for it…
i’m gonna write a verse for you
i don’t know what else to do
cause you’re up in to the blue
i said tears, cant cry enough
cant make the rain stop when I’m feeling rough
gotta move on, from this town of pain
but circles in my life
bring me back here again
what it is, i don’t know,
people dying and I gotta move slow,
but what I know, is nothing lasts,
cant escape it even if you drive fast
through city streets, down country roads
in the end were all carrying the same load
in different ways
Flute of the Moon
there are lessons the trees and the wind cannot teach
but im never gonna die like a raver on the beach
when the fog rolls in like a smoke machine
when the record stops, ill still do my thing
off in the distance a lighthouse beams
fishermen out on boats, real people
fix lines and set traps
we dance as the light flashes past us
but don’t always see the rocks that lie ahead
so we hold our travel companions close
in the depths of this west coast mist
we hold them like they are everything, because they are
I wanted to be there with each and every one of you
like when we were young, and the moon came out
and you played the flute and we didn’t sleep
I wanted to collect huckleberries with you in the damp forest
I wanted to write my name next to yours
in the storybooks of our lives
wanted to draw my face into the photographs
so we could laugh years later
but i had to withdraw, like when i went into the mountains
i found a cave and bones
I thought I had died many years earlier in a place like that
but it was only loneliness
I had become.
a blade of grass away from it all,
and you looked for me
you followed my tears to a lake
i felt hollow there, like a plant
sucking nutrients through a reed.
like a bullfrog,
my eyes barely cresting the surface.
Skyward is my Home
I hold a key
but I don’t know what its for
down this musty corridor
lost on mossy forest floors
I see blackbirds rise behind me
settle in the place between
the dirt and stars aligning
making nests inside my dream
cancel all my day jobs
Im gone for good
this time Im sure
through this heavy wooden door
forward spirit carry me
there is no fanfare needed
skyward is my home
settled in the milky stream
a conscious mind that keeps expanding
take care and wear it well
you look so hard but I can tell
youre eyes are still closed
you wont remember me
not from the inside
but maybe that’s not what you seek
all just a fairy tale
i see icy faces pale
down down down i go
owls are watching
cannot turn the head of sunshine
flowers cannot see me grow
inside like a new life
wrote this letter so you’d know
i saw an opening
there was warmth and light between
it was calling me
misty mountains follow me
cancel all my remedies
lost in scented memories
hungry from the winters freeze
fruit has fallen from the trees
birds still follow
spread and close like time
behind me, like a friend
always there at the end
Child of the Storm 2017
lifes passage is a storm
that weighs heavy on my bow
and I cant believe
where these broken seas
have taken me now
I wake and find you are gone
I awake and find I’m alone in the dawn
old man got lost in the woods
writing his books
did him no good in the end
it’s my friend in the forest
could you come clear
ill drink from you now
a broken heart
like a ship falls apart without love
but stills sails on
and weeps for you now
each and every day
the light will never be the same
your reflection
is always fading
but I still cant stop comparing
every thing to when you were here
every touch to when I held you near
lost in a sailors dream
don’t know what it means
under a yellow moon
and a cool breeze
drifting in my boat
tied myself up in ropes again
this solitary game I play
like the feel of drowning
and just getting away
I hold myself under water
to see what makes me strong
longer each time
until the bubbles disappear
I saw myself as a little boy
he was right there by my side
i held him in the aquamarine bath
he had eyes of pearls
and only saw the beauty in this world
Ive been round the world twice
died in the fighting rains
celebrated mother
and her hands full of jewels.
I walked out of the most perfect picture,
a surrogate remained
but no one noticed the scratches on the frame.
I was content there
happy in my mineral bath
with no reason to leave
but one night out of the blue
I jumped on a freight train
I always wanted to see the Midwest
I always wanted to make certain of that
we long for things, and we can’t put them down
until its all we can think about
I wasn’t born that night
under the travellers moon
but was woken up to something I had forgotten
so long ago I don’t know if it was ever there
or if I just filled in the spaces
but it matters little now as I rattle along the tracks
oil and dust settle in the creases of my skin
but it feels good
like it is balancing an existence so predetermined.
we live like we are playing board games
can see so many steps ahead the anticipation is lost
this moment is the only chance I have to let that all go
because nothing lasts
even a black locomotive steaming through the night
can only conceal me for so long
and soon I am gathered up inside a glass ball
carried over alpine meadows back north
the geese are returning too
I can see the grime from the box car smeared across their feathers
Black Lands
I walk black lands
I’m casting stones
I have no friends
but that’s ok, cause I wanna be alone
I walk on broken bones
past the things I’ve done
I see them gently fade
into the dust of the setting sun
cross these broken tracks
down where the berries grow
I wrote one last song
but I never found a way to let you know
only summertime takes it slow
nods her head as I pass
she walks on the singing wind
holds my memories in a coloured glass
catches coloured rain
a thousand faces dance
and then never dance again
only spirit water left
picking up these tired dolls
i long for tired dreams
and no electricity
i long for a quiet stream
trickling beside me
Black Lands
I walk black lands
I’m casting stones
I have no friends
but that’s ok, cause I wanna be alone
I walk on broken bones
past the things I’ve done
I see them gently fade
into the dust of the setting sun
cross these broken tracks
down where the berries grow
I wrote one last song
but I never found a way to let you know
only summertime takes it slow
nods her head as I pass
she walks on the singing wind
holds my memories in a coloured glass
catches coloured rain
a thousand faces dance
and then never dance again
only spirit water left
picking up these tired dolls
i long for tired dreams
and no electricity
i long for a quiet stream
trickling beside me
-Blue Times-
blue skies and wind chimes
tornados and end times
white shirt on the clothesline
falls upon the ground
one last time before I go
for the bells have started ringing
from here to Mexico
the women are all singing
theres a goat child whose bleeds in the street
he wears the mask of a circus performer
the feral children take his lead
they fall with him into the deep grass
the dark stain of medicine
smeared across their foreheads
the strong brew of forest magic
drifting through the air
i cant get enough of these blue times
nothing hurts more than the safe line
will always make hay when the wind blows
and the campfire glows
and the crickets lose their minds
thats when ill be fine